tag:blogger.com,1999:blog-292121942024-02-20T23:46:46.974-08:00deleuze at greenwichvolcanic lines: deleuzian research groupedward willatthttp://www.blogger.com/profile/11145874059676637186noreply@blogger.comBlogger97125tag:blogger.com,1999:blog-29212194.post-48432734592183354862015-04-24T06:25:00.000-07:002010-04-24T06:28:36.586-07:00<p align="center"><strong><span style="font-size:180%;color:#666666;">volcanic lines:</span></strong></p><p align="center"><strong><span style="font-size:180%;color:#666666;">deleuzian research group</span></strong></p><p align="left" style="text-align: center; "><span style="font-size:130%;"><strong><a href="http://deleuzeatgreenwich.blogspot.com/2006/07/volcanic-lines-deleuzian-research.html">statement of aims and objectives</a></strong></span></p><p align="left" style="text-align: center; "><span style="font-size:130%;"><br /></span></p><p align="left" style="text-align: center; "><span style="font-size:130%;"><br /></span></p>razorsmilehttp://www.blogger.com/profile/05419363202570658271noreply@blogger.comtag:blogger.com,1999:blog-29212194.post-22710183617479207522012-10-19T04:21:00.000-07:002012-10-19T04:21:00.501-07:00<p align="center"><strong><span style="font-size:180%;color:#666666;">volcanic lines: </span></strong></p><p align="center"><strong><span style="font-size:180%;color:#666666;">deleuzian research group </span></strong></p><p align="left" style="text-align: center;"><span style="font-size:130%;"><strong><a href="http://deleuzeatgreenwich.blogspot.com/2006/07/volcanic-lines-deleuzian-research.html">statement of aims and objectives</a></strong></span></p>edward willatthttp://www.blogger.com/profile/11145874059676637186noreply@blogger.comtag:blogger.com,1999:blog-29212194.post-83541272180455067232011-06-16T10:11:00.001-07:002011-06-16T10:13:14.711-07:00 Beyond Spinoza<span class="Apple-style-span" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; ">Three-part conference series exploring the presence of Early Modern concepts in contemporary philosophy and psychoanalytic theory.</span><div><span class="Apple-style-span" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; "><br /></span></div><div><span class="Apple-style-span" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; "></span><span class="Apple-style-span" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; ">To be held at Goldsmiths College, London, in July 2011. Room location will appear on website shortly. Open to all.</span><span class="Apple-style-span" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; "><div><div style="text-align: center; "><span><br /></span></div><div style="text-align: center; "><b><span>Tuesday 12th July 2011, 6 - 8pm</span></b></div><div style="text-align: center; "><span><br /></span></div><div style="text-align: center; "><span><span style="line-height: 19px; "> Introduction: </span><span style="line-height: 19px; "><span>Matthew Dennis (Co-organiser)</span><span> 'The Contemporary Renaissance of Early Modern Philosophy'</span></span></span></div><div style="text-align: center; "><span><br /></span></div><div style="text-align: center; "><span>Cesare Casarino (Minnesota) ‘The Expression of Time: Deleuze, Spinoza, Cinema’</span></div><div style="text-align: center; "><span><br /></span></div></div><div style="text-align: center; "><span>Charlotte Knox-Williams (Winchester) ‘The Studio Transformed: The Expanded Monad as a Model for the Studio in Practice-based Research’</span></div><div><div style="text-align: center; "><br /></div><div style="text-align: center; "><b>Tuesday 19th July 2011, 6 - 8pm</b></div><div style="text-align: center; "><br /></div><div style="text-align: center; ">Guillaume Collett (Kent) ‘Deleuze and Spinoza: from Expressionism in Philosophy: Spinoza to The Logic of Sense’</div><div style="text-align: center; "><br /></div><div style="text-align: center; ">Robin Dunford (Exeter) ‘Assemblage Theory and ‘Emergentic Spinozism’’</div><div style="text-align: center; "><br /></div><div style="text-align: center; "><b>Tuesday 26th July 2011, 6 - 8pm</b></div><div style="text-align: center; "><br /></div></div><div style="text-align: center; ">Simon O’Sullivan (Goldsmiths) 'The Care of the Self versus the Ethics of Desire (or, Spinoza between Lacan and Foucault)'</div><div><div style="text-align: center; "><br /></div><div style="text-align: center; "><span>Assunta Ruocco (Goldsmiths) ‘Monad and Multitude’ </span></div><div style="text-align: center; "><span><br /></span></div></div><div style="text-align: center; "><span style="line-height: 19px; "><span>Concluding remarks: Nicole Osborne (Co-organiser) 'Spinoza and Contemporary Practice'<br /></span></span></div><div><div style="text-align: center; "><br /></div><div style="text-align: center; "><br /></div><div style="text-align: center; ">Please check website for conference abstracts and further updates: <b><a href="http://beyondspinoza.wordpress.com/" target="_blank" style="color: rgb(17, 37, 8); ">http://beyondspinoza.<wbr>wordpress.com</a></b></div><div style="text-align: center; "> </div><div style="text-align: center; "><b><a href="mailto:beyondspinoza@gmail.com" target="_blank" style="color: rgb(17, 37, 8); ">beyondspinoza@gmail.com</a></b></div></div></span></div>razorsmilehttp://www.blogger.com/profile/05419363202570658271noreply@blogger.comtag:blogger.com,1999:blog-29212194.post-4839558870579024752011-05-10T11:02:00.000-07:002011-05-10T11:05:45.802-07:00CFP - Beyond Spinoza<span class="Apple-style-span" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; "><div style="text-align: left;"><span style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; ">Beyond Spinoza invite proposals for 30 minute presentations which trace or explore the presence </span>of Early Modern philosophical concepts in contemporary philosophy and psychoanalytic theory.</div><div style="text-align: left;"><br /></div><div style="text-align: left;border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; ">These could include, but are not limited to:</div><div style="text-align: left;"><span style="border-collapse: collapse; font-family: arial, sans-serif; "><br /></span></div><span style="border-collapse: collapse; font-family: arial, sans-serif; "><div style="text-align: left;">Spinoza and French philosophy (Badiou, Deleuze), </div><div style="text-align: left;">Spinoza and psychoanalysis (Freud, Lacan),</div><div style="text-align: left;">Spinoza and politics (Balibar, Macherey), </div><div style="text-align: left;">Spinoza and self-transformation (Foucault, Lacan),</div></span><span style="border-collapse: collapse; font-family: arial, sans-serif; "><div style="text-align: left;">Spinoza and schizoanalysis (Guattari, Deleuze), </div><div style="text-align: left;">Leibniz and French philosophy (Deleuze, Gueroult),</div></span><span style="border-collapse: collapse; font-family: arial, sans-serif; "><div style="text-align: left;">Leibniz and contemporary art, Leibniz and maths.</div></span><div style="text-align: left;"><br /></div><div style="text-align: left;"><br /></div><span style="border-collapse: collapse; font-family: arial, sans-serif; "><div style="text-align: left;">Beyond Spinoza is a collective of London-based postgraduate students who wish to enrich and deepen their understanding and enjoyment of contemporary philosophy by exploring its historical and conceptual roots.</div></span><div style="text-align: left;"><br /></div><span style="border-collapse: collapse; font-family: arial, sans-serif; "><div style="text-align: left;">The series will run once a week, for three consecutive weeks, at Goldsmiths College in July 2011.</div><div style="text-align: left;"><br /></div></span><span style="border-collapse: collapse; font-family: arial, sans-serif; "><div style="text-align: left;">Each session will comprise two 30 minute presentations followed by discussion and drinks. The series will be followed later in the year by a publication of revised papers.</div></span><div style="text-align: left;"><br /></div><span style="border-collapse: collapse; font-family: arial, sans-serif; "><div style="text-align: left;"><span style="font-family: arial; border-collapse: separate; "><span style="border-collapse: collapse; font-family: arial, sans-serif; ">Please submit proposals of around 300 words to </span><a href="mailto:beyondspinoza@gmail.com" target="_blank" style="color: rgb(0, 0, 204); border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; ">beyondspinoza@gmail.com</a><span style="border-collapse: collapse; font-family: arial, sans-serif; "> on or before the 1st </span></span>June 2011</div></span></span>razorsmilehttp://www.blogger.com/profile/05419363202570658271noreply@blogger.comtag:blogger.com,1999:blog-29212194.post-66637610959322622152010-04-24T05:49:00.000-07:002010-04-24T06:24:14.295-07:00Spinoza Reading Group<div>Volcanic Lines research group members will be attending the following reading group and we'd encourage anyone else to do so as well. The 'call' for the group is as follows:</div><div><br /></div>London-based research students will hold a reading group on Spinoza's Ethics and selected correspondence, starting 6pm Tuesday 18th May and continuing for approximately 8 weeks.<br /><br />The reading for first session will be Ethics Book I (up to Proposition 16) and Letter 12.<br /><br />Samuel Shirley's useful introduction to Spinoza's terminology can be found in the Translator's Preface of the Hackett edition.<br /><br />We'll meet weekly, 6 - 7:30pm, in the restaurant area of the British Library.<br /><br />Everyone welcome.<br /><br />Please contact <a href="mailto:matthewjamesdennis@googlemail.com">matthewjamesdennis@googlemail.com</a> for further details.razorsmilehttp://www.blogger.com/profile/05419363202570658271noreply@blogger.comtag:blogger.com,1999:blog-29212194.post-10830687654577154432007-04-15T12:25:00.000-07:002007-04-15T08:09:27.357-07:00edward willatthttp://www.blogger.com/profile/11145874059676637186noreply@blogger.comtag:blogger.com,1999:blog-29212194.post-42454282944028635712007-04-12T08:37:00.000-07:002007-10-24T11:30:25.206-07:00Integrations#1 - reading materialI have uploaded a copy of the Simon Duffy essay so that people can read it for the workshop and I will also try to remember to bring some printed copies along on the day for those who can't print it out...<br /><br /><a href="http://www.razorsmile.org/archive/deleuze_and_calculus.pdf">You can get it here</a><br /><br />It's in PDF format, so you'll need an Acrobat reader, which is readily available on the net (google is your friend in these matters...)<br /><br /><div align="center"><a href="http://deleuzeatgreenwich.blogspot.com/"><span style="color:#666666;">RETURN TO MAIN PAGE</span></a></div>razorsmilehttp://www.blogger.com/profile/05419363202570658271noreply@blogger.comtag:blogger.com,1999:blog-29212194.post-34761373980414261662007-04-09T05:33:00.001-07:002007-10-24T11:31:03.942-07:00Integrations #1 - update<div xmlns="http://www.w3.org/1999/xhtml">We're all looking forward to the 'Deleuze and Calculus' workshop this coming Saturday (14th April) and a few notes for those already registered and wanting to do some preparation before attending.<br /><br />1) The first session will be led by Bat and he has suggested as a 'provisional outline' of what he will do the following:<br />"<i>Re the first session, what I planned to run through was some stuff from Greek mathematics - Pythagoras, the Meno episode, irrational numbers, the method of exhaustion - then move onto Descartes and Newton/Leibniz and a basic exposition of calculus - followed by brief comments on how the question of making calculus rigorous spurred modern developments in mathematics, eg topology, analysis, logic, nonstandard analysis.</i>"<br /><br />2) The second session will focus on Chapter 4 of Difference and Repetition (the first twenty or so pages in particular - in the new Continuum edition I think pages 214-230 contain a very curious and interesting move (this is pp168-182 in the older Athlone edition and there is a 'natural' section break indicated in the Athlone that's missing in the Continuum. This corresponds to pp218-235 of the French Press Universitaire edition of 1968, where the 'natural' section break is also present.)<br /><br />In addition to this chunk of Chapter 4 of DR the following essay is secondary material we might have time to explore - Simon Duffy, <i>The differential point of view of the infinitesimal calculus in Spinoza, Leibniz and Deleuze</i> contained in Vol37#3, October 2006 edition of the <u>Journal of the British Society for Phenomenology</u>. Scanned PDF's will be available here by Thursday 12th in time for people to read through this material if they haven't received it through the post.<br /><br />any questions, email <a href="http://www.blogger.com/volcaniclines@hotmail.com">http://www.blogger.com/volcaniclines@hotmail.com</a> of course...<br /><br /><br /></div><p class="poweredbyperformancing" xmlns="http://www.w3.org/1999/xhtml">Powered by <a href="http://scribefire.com/">ScribeFire</a>.</p><p class="poweredbyperformancing" align="center" xmlns="http://www.w3.org/1999/xhtml"><a href="http://deleuzeatgreenwich.blogspot.com/"><span style="color:#666666;">RETURN TO MAIN PAGE</span></a></p>razorsmilehttp://www.blogger.com/profile/05419363202570658271noreply@blogger.comtag:blogger.com,1999:blog-29212194.post-14462408074173184882007-01-13T05:22:00.000-08:002007-10-24T11:32:47.328-07:00WINTER/SPRING 2007 Workshops on the Essays of Gilles Deleuze<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj53zFUXKsZyzK9hN2v8uy5fmdKD06IC4o21kC4GO5afP1LLnLsM8PYPh0YlInTynPnhidHfxSe5iOB3iqrQEZhe5YEKby5IOh2RtopIKO1K11jayVWaYbQpvN_Pe2JzcgVNMwC/s1600-h/new+volcanic+logo.bmp"><img id="BLOGGER_PHOTO_ID_5029151915303098962" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj53zFUXKsZyzK9hN2v8uy5fmdKD06IC4o21kC4GO5afP1LLnLsM8PYPh0YlInTynPnhidHfxSe5iOB3iqrQEZhe5YEKby5IOh2RtopIKO1K11jayVWaYbQpvN_Pe2JzcgVNMwC/s400/new+volcanic+logo.bmp" border="0" /></a><br /><div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjaucRc_Kbh4MMs1ZqBKiOIchj8QkpIlLvP0tqfoJaONexULmQkAjGNvAWa_er3UtYpihhsMpTzN1L3bu5Xf0c4E9N7Nwbx6aA-UJ-swGQCoaR_vu_cbGB8Ye68j39DJ0S9usZx/s1600-h/philosophers.bmp"><img id="BLOGGER_PHOTO_ID_5029151537345976898" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjaucRc_Kbh4MMs1ZqBKiOIchj8QkpIlLvP0tqfoJaONexULmQkAjGNvAWa_er3UtYpihhsMpTzN1L3bu5Xf0c4E9N7Nwbx6aA-UJ-swGQCoaR_vu_cbGB8Ye68j39DJ0S9usZx/s400/philosophers.bmp" border="0" /></a><br /><br /><div><strong><span style="font-size:130%;">This workshop series is now completed. We feel that a great deal has been achieved and further workshops are planned both on new topics and developing the work done here. Read reports and join the ongoing discussion by clicking <a href="http://www.dialoguesatgreenwich.blogspot.com/">here</a>.</span></strong><strong><span style="font-size:130%;"> </span></strong></div><div><strong><span style="font-size:130%;"></span></strong></div><div><strong><span style="font-size:130%;"></span></strong></div><div><strong><span style="font-size:130%;"></span></strong></div><div><strong><span style="font-size:130%;"></span></strong></div><div><strong><span style="font-size:130%;"></span></strong></div><div>__________________________________________________</div><div></div><div><strong><span style="font-size:130%;">Mondays 7-9pm </span></strong><br /></div><div><br /><strong><span style="font-size:130%;">Reading Group Workshops - on the Essays of Gilles Deleuze</span></strong><br /><br /><strong>Location: QM167, Queen Mary Building, Greenwich Maritime Campus</strong> <strong>(see below for how to register)</strong></div><div></div><div></div><strong></strong></div><strong><div><br />6. Monday, 26th February</strong></div><div><strong></strong></div><div><strong></strong></div><div><br />Text: 'Spinoza and the Three "Ethics"', <em>Essays Critical and Clinical.</em></div><div><em></em></div><div><em></em></div><div><br />Presentation by Matthew Astill (Greenwich) on 'Spinoza and the Three "Ethics"'<br /></div><div></div><div><strong></strong></div><strong></strong><br />Read the presentation and the workshops discussion <a href="http://dialoguesatgreenwich.blogspot.com/2007/02/february-26th-spinoza-and-three-ethics.html">here</a>.<br /><br /><strong><div><br />5. Monday, 19th February</strong></div><div><strong></strong></div><div><strong></strong></div><div></div><div><strong></strong></div><div><br />Text: 'The Actual and the Virtual' , Gilles Deleuze & Claire Parnet, <em>Dialogues II</em>, Continuum, London, 2002, pp. 112-5. (N.B. this piece does not appear in the first edition of <em>Dialogues, </em>only in <em>Dialogues II</em>) </div><div></div><div></div><div></div><div><br />Presentation by Nick Midgeley on 'The Actual and the Virtual.'</div><div></div><div></div><div></div><div><br />You can access this text online <a href="http://deleuzeatgreenwich.blogspot.com/2007/02/text-for-19th-february-workshop-on.html">here</a>.</div><div></div><div>(many thanks to Nick for this). </div><div></div><div></div><div></div><div>Read a report of the workshop discussion <a href="http://dialoguesatgreenwich.blogspot.com/2007/02/actual-and-virtual-workshop-discussion.html">here</a>. </div><div></div><div><br /><strong>Monday, 12th February - No Workshop. </strong><br /><br /><strong>4. Monday, 5th February</strong><br /><strong></strong><br />Text: 'On Four Poetic Formulas That Might Summarise the Kantian Philosophy,' <em>Essays Critical and Clinical </em>and also included in <em>Kant's Critical Philosophy</em> as the preface. </div><div><br />Presentation by Edward Willatt (Greenwich) entitled 'Discordant Accord: Faculties Taken To Their Limits in Four Poetic Formulas'<br /><br />Read the presentation, a report of the workshop's discussion and comment <a href="http://dialoguesatgreenwich.blogspot.com/2007/02/6th-february-essays-if-gilles-deleuze.html">here</a>.<br /><br /><br /><strong>3. Monday, 29th January</strong><br /><br />Text: 'Bartleby; or, The Formula', <em>Essays Critical and Clinical</em>.<br />Presentation by Neil Chapman (Reading) on 'Bartleby; or, The Formula'<br /><br />An online copy of Melville's 'Bartleby, the Scrivener' is available <a href="http://www.bartleby.com/129/">here</a>.<br /></div><div>Read a report of the workshop and comment <a href="http://dialoguesatgreenwich.blogspot.com/2007/01/29-january-2007-essays-of-gilles.html">here</a>.<br /><br /><br /><strong>2. Monday, 22nd January</strong> </div><div><br />Text: 'The Method of Dramatisation', <em>Desert Islands and Other Texts</em>. </div><div><br />Presentation by Matt Lee (Greenwich) on 'The Method of Dramatisation'<br /><br />An online copy of the essay, a different translation to the one included in <em>Desert Islands</em>, is available <a href="http://ses.library.usyd.edu.au/bitstream/2123/618/2/adt-NU20051202.14522707appendices.pdf">here</a>.<br /><br />Read the presentation, a report on the workshop's discussion and comment <a href="http://dialoguesatgreenwich.blogspot.com/2007/01/method-of-dramatisation-reading-group.html">here</a>.<br /><br /><br /><strong>1. Monday 15th January </strong></div><strong><div><br /></strong></div>Text: 'The Exhausted', <em>Essays Critical and Clinical. </em><em><div align="left"><br /></em></div>Presentation by Edward Willatt (Greenwich) '"A fantastic decomposition of the Self" - Deleuze on individuation in The Exhausted.'<br /><br />Read this presentation, a report on the workshop's discussion and comment <a href="http://dialoguesatgreenwich.blogspot.com/2007/01/16-january-essays-of-gilles-deleuze.html">here</a>.<br /><br /><div align="center">____</div><div><br /><strong><span style="font-size:130%;">Workshop Format, CFP and Registration</span></strong></div><div><br />These innovative workshops of Deleuze’s essays will explore texts upon which relatively little work has been done but which have a great variety, depth and intensity. The collections from which essays will be selected are<br /><br />- <em>Essays Critical and Clinical </em><br /><br /><em>- Desert Islands and Other Texts: 1953-1974</em><br /><br /><em>- Two Regimes of Madness: Texts and Interviews 1975-1995</em><br /><em><br />- Pure Immanence: Essays on A Life.</em><br /><br />The format will involve a short presentation on one essay each week, in depth discussion and the posting of notes online at <a href="http://dialoguesatgreenwich.blogspot.com/">dialogues at greenwich</a>.<br /><br /><strong><span style="font-size:130%;">CFP:</span></strong> An invitation is extended to those who would like to give a presentation on one of Deleuze’s essays. E-mail <a href="mailto:volcaniclines@hotmail.com">volcaniclines@hotmail.com</a> to discuss a title and date.<br /><br />All sessions will be held on the Greenwich Maritime campus. The sessions are FREE and open to all but please <strong>REGISTER</strong> beforehand if you are not already a member of Greenwich University or the Volcanic Lines deleuzian research group – email <a href="mailto:volcaniclines@hotmail.com">volcaniclines@hotmail.com</a> and we will send you an information pack.<br /><br /><strong>Organised by Greenwich University Philosophy Department </strong></div><div><strong></strong></div><div><strong></strong></div><div><strong></strong></div><ul><li><div align="center"><a href="http://deleuzeatgreenwich.blogspot.com/2006/12/january-2007-events-at-greenwich.html"><span style="color:#666666;">details of January 2007 Colloquium - Darren Ambrose (Warwick) 'On The Diagram in Deleuze's Work' </span></a></div></li><li><div align="center"><a href="http://deleuzeatgreenwich.blogspot.com/"><span style="color:#666666;">RETURN TO MAIN PAGE</span></a></div></li></ul>edward willatthttp://www.blogger.com/profile/11145874059676637186noreply@blogger.comtag:blogger.com,1999:blog-29212194.post-21049293384358140292007-01-12T01:55:00.002-08:002007-10-24T11:34:44.453-07:00'Integrations #1' - An Introductory Workshop on Deleuze and the Differential Calculus<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjB6JJ0jkmjsA_iyN6HFCtKREqvs3xo8seMZoh4wn1IhLN1tW6nKgBFa_WSOg_BtPXDHSa5APYEMVib8jSLn-TcLAuEfXJbTmUa2dwZumL2dm_Q8yj8PMfFHThPK7Ij-n8LnxOb/s1600-h/calculus.bmp"><img id="BLOGGER_PHOTO_ID_5042867654810362322" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjB6JJ0jkmjsA_iyN6HFCtKREqvs3xo8seMZoh4wn1IhLN1tW6nKgBFa_WSOg_BtPXDHSa5APYEMVib8jSLn-TcLAuEfXJbTmUa2dwZumL2dm_Q8yj8PMfFHThPK7Ij-n8LnxOb/s400/calculus.bmp" border="0" /></a><br /><div><br /><strong><span style="font-size:85%;">----------------------------transmission begins... </span></strong></div><div align="left"><strong><span style="font-size:85%;"></span></strong></div><div align="left"><strong><span style="font-size:130%;"></span></strong></div><div align="left"><strong><span style="font-size:130%;"></span></strong></div><div align="left"><strong><span style="font-size:130%;">Integrations#1 </span></strong></div><div><strong><span style="font-size:130%;"></span></strong></div><div><strong><span style="font-size:130%;">SATURDAY 14TH APRIL 10AM-5PM </span></strong></div><div><strong><span style="font-size:130%;"></span></strong></div><div><strong><span style="font-size:130%;">Greenwich University, Old Royal Naval College, Greenwich </span></strong></div><div><strong><span style="font-size:130%;"></span></strong></div><div><strong><span style="font-size:130%;">Room: Queen Mary 167 </span></strong></div><div align="left"></div><div></div><div></div><div>The first in an intermittent series of workshops focused on the key background figures and concepts within the work of Deleuze. This first workshop will offer a basic introduction to the calculus followed by a session exploring the philosophical use of concepts from the calculus within Deleuze's work. We will be looking at the opening sections of the fourth chapter of Difference and Repetition (Ideas and the synthesis of difference) as well as some secondary material. Reading material will be provided. </div><div></div><div></div><div>Each session will last approximately three hours, including a tea-break. The sessions are workshop seminars, NOT lectures - an informal and participatory atmosphere is maintained. They are an experiment in collective learning. </div><div></div><div></div><div>Lunch is NOT provided unfortunately. The workshop is FREE but you must register and provide a land address if you want reading materials sent to you. </div><div></div><div></div><div>AGENDA:</div><div></div><div></div><div>10am - 1pm: an introduction to the calculus</div><div></div><div></div><div>1pm - 2pm: LUNCHBREAK</div><div></div><div></div><div>2pm - 5pm: Difference, differentials and Chapter 4 </div><div></div><div></div><div>for further information and to register please email: </div><div></div><div></div><div><a href="mailto:volcaniclines@hotmail.com">volcaniclines@hotmail.com</a> </div><div></div><div></div><div></div><div>Volcanic Lines: Deleuzian Research Group<br />Philosophy Department, University of Greenwich</div><div></div><div><strong><span style="font-size:85%;"></span></strong></div><div><strong><span style="font-size:85%;">--------------------------------transmission end.</span> </strong></div><strong></strong><br /><p><strong></strong> </p><p align="center"><a href="http://deleuzeatgreenwich.blogspot.com/"><span style="color:#666666;">RETURN TO MAIN PAGE</span></a></p>edward willatthttp://www.blogger.com/profile/11145874059676637186noreply@blogger.comtag:blogger.com,1999:blog-29212194.post-8428244246176606352007-01-12T01:16:00.000-08:002007-11-20T02:06:34.717-08:007 JULY 2007 Timetable and Abstracts<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6nqWb4GjIOv8VnGftBcj6NCSHSVrcBZ3XwF0Rc5qTrUQBm4IID4rfK9qyZqNzjEMvPt_8Ij8bvvQmN_qrh_pa2EgDLgAz-4BFxGaXq4sjoB4HrkPb1blTBQfBOWyZ_NAzdx52/s1600-h/new+kant-deleuze.bmp"><img id="BLOGGER_PHOTO_ID_5081518637896123042" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6nqWb4GjIOv8VnGftBcj6NCSHSVrcBZ3XwF0Rc5qTrUQBm4IID4rfK9qyZqNzjEMvPt_8Ij8bvvQmN_qrh_pa2EgDLgAz-4BFxGaXq4sjoB4HrkPb1blTBQfBOWyZ_NAzdx52/s400/new+kant-deleuze.bmp" border="0" /></a><br /><div><div><div><div><strong><span style="font-size:180%;">'The Strange Encounter of Kant and Deleuze'<br /></span></strong><br /><strong>Saturday July 7th, Greenwich University, Maritime Campus, Old Royal Naval College, London: 10am - 5pm</strong><br /></div><div><br /></div><div><br />'My book on Kant is different, I like it very much, I wrote it as a book on an enemy, in it I was trying to show how he works, what his mechanisms are...'<br />Gilles Deleuze, <em>Letter to Michele Cressole</em><br /><br />'Our age is properly the age of critique, and to critique everything must submit.'<br />Immanuel Kant, <em>Critique of Pure Reason</em><br /><br />This conference aims to explore and dramatise the conceptual relations that exist between Gilles Deleuze and Immanuel Kant. Deleuze offers us a 'transcendental empiricism' in direct contrast to Kants' 'transcendental idealism' and the combination of their common ground and their stark oppositions makes this a particularly fertile realm of thought. There has been a growing recognition of the importance of the connections between Deleuze and Kant and this conference aims for the first time to place these relations centre stage. We are strongly encouraging both Deleuzian and Kantian scholars to come together in a constructive encounter that has critical importance for the wider philosophical community.<br /></div><div><br /></div><p align="left"><img id="BLOGGER_PHOTO_ID_5081515648598884962" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjqCCUQ9Fv2gMsp-SURj-lyCsCyA31A_UtFo9Of2IgxFaB0xcC-ub7IIUATdewLsUWSmS89tOsLXxN77VsjwACcp1UDFGsp8cfIevat3IP33sEk2LdCnVpp0FjNi6j3oqMz_bK/s400/small+deleuze.bmp" border="0" /></p><div></div><div><br /></div><div align="center"><strong><span style="font-size:180%;">Timetable</span></strong><br /><br /><strong>10-10.30</strong><br /><strong>Registration </strong>– Room Queen Anne 080 (all the session take place in Queen Anne Court)<br /><br /><strong>10.30-12.00<br />Parallel</strong> <strong>Sessions</strong><br /><br /><strong>1. QA38</strong><br />Joanna Hodge (Manchester Metropolitan)<br />‘Deleuze, Husserl, Kant: Transcendental Intermediaries ’<br /><br /><strong>2. QA39<br /></strong>Edward Willatt (Greenwich) ‘Reason, Desire and Incompleteness in Deleuze’s Reading of Kant’</div><div><br /><br /></div><div align="left"><strong></strong></div><div align="center"><strong>12.00-1.00<br />Lunch</strong> (not provided – there are cafes and shops in Greenwich town centre which is close to the campus and the Cutty Sark DLR station).<br /><br /><strong>1.00-2.30<br />Parallel Sessions</strong><br /><br /><strong>1. QA 38<br /></strong>Matthew Hammond (Exeter) ‘Picking over the Bones of David Hume’<br /><br /><strong>2. QA 39<br /></strong>Filipe P. Ferreira (New School for Social Research)<br />‘Bergsonism and Critique’<br /><br /><strong>3.00-5.00<br />Keynote</strong> <strong>Session – The strange encounter...<br /></strong><br /><strong>QA 080<br /></strong><br />Daniel W. Smith (Middlesex/Purdue) ‘Deleuze, Kant, and the Post-Kantian Tradition’<br /><br />Paul Davies (Sussex) ‘Regulating and Inventing Concepts’<br /></div><div><br /><br /></div><div><img id="BLOGGER_PHOTO_ID_5081516614966526594" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAlVaOfuFgpSktLFsmhA3qrbQ_xyyvrICAsendBycoATCjyDbrurKuGYDqehe5CRxmgUBl6h41QX4oKDaVhlsAePnEzceASHKCaveOd3MeVe-Z55P6E-MHr9nn8fHrnfHQf4gQ/s400/small+kant.bmp" border="0" /></div><div><br /></div><div align="center"><br /><strong><span style="font-size:180%;">Abstracts<br /></span></strong><br /><strong>1. Joanna Hodge (Manchester Metropolitan): ‘Deleuze, Husserl, Kant: Transcendental Intermediaries’</strong></div><div><br /></div><div>This paper consists in an exploration of two claims and an emergent problem about how to think the relation between reading texts signed by Deleuze and pursuing the task of inventing concepts. The puzzle about how to think the relation between Difference and Repetition and The Logic of Sense is set out clearly already by Michel Foucault, in his early response to their publication, in 1970, printed under the title “Theatrum Philosophicum”. My first claim is that this relation will continue to be obscure until and unless the full dimensions of Deleuze’s encounter with Husserl are taken into account, and my longer term ambition, not to be fulfilled here, is to follow through the thinking occasioned by such an encounter. I shall, however, adduce some remarks to indicate why this follow through should be undertaken. Its result would be the conversion of this claim from an interpretative hermeneutical claim into claim about the invention of concepts, which itself would take the form of conceptual invention. My second claim is that there is no sense for Deleuze of some cumulative development and improvement in philosophy, asrealising some teleological process. There is thus no place within Deleuzian accounts of invention for a Husserlian notion of a fulfilment or dereliction with respect to a task uniquely assigned to human beings, to realise rationality. This sets out a separationbetween lines of an encounter between Deleuze and Husserl, and opens out of a gap between a Deleuzian Husserl and the figure more usually construed, as committed to a system of 'ideas in the kantian sense'.<br /><br /><strong>2. Edward Willatt (Greenwich): ‘Reason, Desire and Incompleteness in Deleuze’s Reading of Kant’</strong><br /><br />Deleuze's reading of Kant offers us an account of his system and of the points at which it is most productive. We find such an account in Deleuze's 1963 book 'Kant's Critical Philosophy'. In this paper I will focus upon this text in order to draw out his insights into the relation of the faculties of reason and understanding. I will seek to show that as well as offering an explanatory account of Kant's system in this text Deleuze also seeks to make it productive within his own thought, anticipating his use of Kant in later work. The account of cognition and its advance given in the 'Critique of Pure Reason' involves reason and its desires, along with a host of characters including the dogmatist and the sceptic. I will seek to relate the activity of the faculties in dealing with appearances to Deleuze's notion of the ‘problem-question complex’. I want to suggest that Deleuze finds the unity of cognition to be open and dynamic in Kant when he develops the role of reason's desires in the problems and questions that occupy the faculties and sustain their activity. This is taken further when Deleuze employs the notion of the ‘object=x’ in his reading of structuralism. I aim to conclude that Kant's account of cognition and its advance as a whole engage Deleuze productively in 'Kant’s Critical Philosophy' and beyond.<br /><br /><strong>3. Filipe P. Ferreira (New School for Social Research): ‘Bergsonism and Critique’<br /><br /></strong>We turn to Bergson, asking him for the body without organs. We find that he responds, that the body he thinks in Matter and Memory gives us a trajectory for stating this body as a problem. It is this question, the one which problematizes this body, that sets our investigation. As we continue, we find with Bergson that this body involves as its condition the astounding thesis that perception, as action, antecedes affection. In developing this thesis, we compose Bergson’s sophisticated account of the human body as a body without affection, without consciousness, a body which perceives and acts. In our desire to further problematize this body, we ask Bergson for this condition, for the difference in kind between perception and affection. He responds in the inverse direction, using this body, an accomplishment which seems to me a central contribution to contemporary philosophy, to restate further philosophical problems. That is, he uses this body as a condition for the unfolding of his philosophy. We associate here the statement of this body as a problem with the question of the genesis of Bergsonism. We also ask whether, in problematizing this body as the genesis of Bergsonism, and given its principal evolution, the project of a superior empiricism, we can develop insight, by making it ours the question of the genesis of this body, into this project. But how to proceed with this body, inquire into its genesis? At this point we know one its conditions: that this body is discovered in thinking perception as prior to affection. But how are we to inquire further? It is here that our discussion turns to Kant’s Critique of Pure Reason. Following a hint in Matter and Memory, we find Bergson describing how it is that Kant does not follow in the direction of this body. We find that it is a problem of sensibility, of how Kant, for Bergson, uses his ‘magician’s wand’ to create representations from sensible conditions which he entirely dismisses. We have our second horizon: that which does not allow Kant to follow are these sensible conditions. But how are we to problematize these conditions without simply returning to the statement of the Bergson’s first accomplishment, his theory of pure perception? We then proceed to set up our discussion. We turn to Bergson’s images, and notice that they presuppose an unlimited totality, where the question for this philosopher is one of how, from this totality, perception is limited to our interest. We note that it is because one of these images is privileged, our body. In taking the question of limitation to the Critique of Pure Reason we find it is thought in the ‘Ideal of Pure Reason’, which discusses the ideal of complete determination of reality presupposed by the transcendental ideas. We then ask how Kant limits this total reality; we find that his Critique is directed to this unconditioned totality, that it is the limitation of this ideal of complete determination which will make this ideal beyond, beyond the possibility of experience and that which it presupposes: the determinable as the forms of intuition. Here we find a second condition for this body without organs: that the plane of pure determination be posited as such, where, in thinking the limitation to ideal determination, we think within the ideal, immanently to the ideal: it is the plane of immanence as a further condition for thinking the body without organs.<br /><br /><strong>4. Matthew Hammond (Exeter): ‘Picking over the Bones of David Hume’<br /></strong></div><div><br /></div><div align="left">Towards the end of the First Critique, Kant praises Hume for ‘possibly’ having come up with a synthetic principle, but then failed to understand how that principle demanded that one move beyond the mere empirical repetition of conjoined presences, to form an idea of the agencies that make that conjoining necessary. Kant goes on to argue, that mere empirical repetition cannot found conjunctions, unless those conjunctions were themselves necessarily grounded in inner sense, and therefore already configured within time’s unity. Kant thereby argues that while one needs to accept Hume’s empirical case, one needs nonetheless to ground it elsewhere, in a unity, and the active synthesis of understanding that fashions that unity. This argument forms one of the essential ‘back-stories’, to the ‘Repetition in itself’ chapter in Difference and Repetition. - Deleuze’s position being complicated by the fact that while on the one hand, he certainly accepts Kant’s most basic criticism of Hume, that he lacks any explanation as to how presences come not only to pass, but also to be conjoined, in time; and yet on the other hand, Deleuze wishes to move Hume’s repetition beyond its empirical setting, so that it can become the very principle for a synthesis that requires no other unity beyond itself. Moreover, in making this move, Deleuze hopes to transfix Kant’s critique of Hume as itself an aspect of Hume’s own account of passive repetition. In Deleuze’s eyes, Kant’s understanding of Hume is his Achilles heel, just as much as it is the foundation of the First Critique. A re-thought Hume will allow one to corrode Kantianism from within, as the critique of Hume that lies at the core Kantianism is made to say something otherwise. </div><div><br /></div><div>In this paper three distinct parts of this corrosion will be examined. Firstly I will consider the difference in the topography of Kant’s treatment of Hume, and of Deleuze’s. For Kant, the problem in Hume remains that he offers no way to understand how the absolute unity of representation in an instant is grounded in a single experience (A99), beyond that is, their mere repetition. Kant proposes the long detour of time to make good this omission. Deleuze however accepts that there is a problem in Hume’s use of the present, and that one does indeed need to think a time capable of ‘rendering’ the present present, and yet disputes whether this theory needs to save that present. On the contrary, for Deleuze, what is substantive is the repetition itself (and not the presences that repeat). The detour through time is not to re-found the ‘true present’, but to unwind the disruptive power of that which repeats. Secondly, Deleuze argues, if Hume’s conception of the self can be grounded in time, the need to suppose an I think which is capable of creating these empirical selves disappears. He thereby argues one needs to grow Humean selves within Kant’s divided self. Finally, there is the status of Hume’s explicitly passive synthesis of Habit. Kant will argue that passivity demands an active synthesis to explain it. Deleuze will reply that it does not (at this stage), and that Kant’s demand for a global active synthesis was not only founded upon one passive synthesis, but also grounded in another passive synthesis. So that, Kant’s all too eager demand for activity, has the effect of imprisoning him within the Humean passive synthesis and therefore within Humean-time (as Deleuze constitutes it). </div><div align="left"><br /><strong>5. Paul Davies (Sussex): Regulating and Inventing Concepts </strong></div><div align="left"><span style="color:#ffffff;">-</span></div><div align="left"><strong></strong></div><div align="left"><strong></div></strong><div align="left">The paper moves towards a reading of those passages in the 3rd Critique where Kant seems to admit of a fundamental discord ("a discordant accord") of the faculties and where Deleuze sees one of Kant's great discoveries, "the final Kantian reversal." Deleuze detects in the very movement of the critical project a gradual relinquishing of the hold of regulation and the regulative. The argument of the paper unfolds in two stages. In the first, it attempts to re-imagine the context of Deleuze's encounter with Kant, freeing it from the twofold clarification of the concept and conceptuality (Fregean / Hegelian or "analytical"/"continental") that continues even today to define the institutional and disciplinary profile of philosophy. In the second it re-examines the relation between "concept" and "rule" in Kant's account of judgement, marking the precise intractability that makes it impossible for Kant, but maybe not only for Kant, to reconfigure concepts as inventions.</div><div align="left"><br /><strong>6. Daniel W. Smith (Middlesex/Purdue): ‘Deleuze, Kant, and the Post-Kantian Tradition’ </strong></div><div align="left"><strong><span style="color:#ffffff;">-</span></strong></div><div align="left"><strong></strong></div><div align="left"><strong></div></strong><div align="left">The last article Deleuze published before his suicide in November of 1995 begins with the question, "What is a transcendental field?" In a certain sense, this Kantian question, which Deleuze here takes up at the end of his career, is the question that has animated his philosophical work from the start. This paper will examine Deleuze's relation to the Kantian (and post-Kantian) heritage from two points of view. From a historical perspective, we will examine the way in which Deleuze make use of the work of various pre-Kantian (Hume, Spinoza, Bergson) and post-Kantian (Maimon, Bergson, Nietzsche) philosophers in his attempt to rethink the Kant's critical project and the nature of the transcendental field. From a systematic perspective, we will attempt to examine the implications of Deleuze's work in five domains that roughly parallel the architectonic structure of Kant's own work: dialectics, aesthetics, analytics, ethics, and politics.<br /><br /><strong>Location</strong></div><div align="left"><span style="font-size:0;"></span><span style="color:#ffffff;">-----</span><br />Click <a href="http://deleuzeatgreenwich.blogspot.com/2006/08/how-to-get-to-events-at-greenwich.html">here</a> for directions to the conference location. </div><div><span style="color:#ffffff;">-----</span><br /></div><div>Unfortunately accommodation is not available on campus. Those seeking accommodation may find the following website useful: <a href="http://www.visitlondon.com/">http://www.visitlondon.com/</a> </div><div><span><span><span><span style="color:#ffffff;">------</span><br /><strong>Conference Report<br /></strong><span style="color:#ffffff;">------</span></span></span></span></div><div><span><span><span></span></span></span>This can be viewed <a href="http://dialoguesatgreenwich.blogspot.com/2007/07/strange-encounter-of-kant-and-deleuze.html">here</a>. </div></div><div><div><span style="color:#ffffff;">-</span><span style="color:#ffffff;">-----</span><span style="font-size:0;"><br /></span><span style="font-size:100%;"><strong>Conference organisers</strong></span></div><div><span style="font-size:100%;color:#ffffff;">-----</span></div><div><span style="font-size:100%;">Matt Lee and Edward Willatt.<br /><span style="color:#ffffff;">------</span></div></span></div><div><div><div>Volcanic Lines - deleuzian research group, an initiative of the Greenwich University Philosophy group.<br /><span style="color:#ffffff;">-------</span><br /></div><br /><div><img id="BLOGGER_PHOTO_ID_5038793236238692578" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZKYU7PZV8rhBSLMtrRNju9e0sZGlJz03cuO-x3In9U-6Gb_EL_L016-Pjf5BE66yiKhg7TsVUczNvg2OMYLQ-47Jp7e4lpH27R6_FNDSrSYufP2INLu9ryiB-3aWHnDISHqyL/s400/k-d+conference+logo.bmp" border="0" /></div></div></div></div></div><br /><p></p><p align="center"><a href="http://deleuzeatgreenwich.blogspot.com/"><span style="color:#666666;">RETURN TO MAIN PAGE</span></a></p>edward willatthttp://www.blogger.com/profile/11145874059676637186noreply@blogger.comtag:blogger.com,1999:blog-29212194.post-1165438418723904982007-01-11T13:39:00.000-08:002007-10-24T11:36:07.318-07:00JAN 2007 Colloquium - Darren Ambrose (Warwick)<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMCazhMFAUMjoLu0WPiyGhXkrBO38KDzG7irjYqDVx_9g4bTOv82Mfe7jjdvtUdRbkrB4NmGzUqUtGtbFZ2_OgwH8pr14YKePq9Ax5LdbajTocUVGEjE79wlRk-mYubWF-f55y/s1600-h/new+volcanic+logo.bmp"><img id="BLOGGER_PHOTO_ID_5025173261538371234" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMCazhMFAUMjoLu0WPiyGhXkrBO38KDzG7irjYqDVx_9g4bTOv82Mfe7jjdvtUdRbkrB4NmGzUqUtGtbFZ2_OgwH8pr14YKePq9Ax5LdbajTocUVGEjE79wlRk-mYubWF-f55y/s400/new+volcanic+logo.bmp" border="0" /></a><br /><div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1k5TIFOorJNLZTcGR3uhVduuLqHRnjfQwrMxnn42HS3O-3tiOrJRRrtDdlXAqmJ96mp7LOXxNkF9DJmlptBhX_XooLLPYZY02O29Es83_djfXZ2SYiaQ6wqh3NJGXarVixVGE/s1600-h/bacon+blue.bmp"><img id="BLOGGER_PHOTO_ID_5025172363890206354" style="FLOAT: left; MARGIN: 0px 10px 10px 0px; CURSOR: hand" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1k5TIFOorJNLZTcGR3uhVduuLqHRnjfQwrMxnn42HS3O-3tiOrJRRrtDdlXAqmJ96mp7LOXxNkF9DJmlptBhX_XooLLPYZY02O29Es83_djfXZ2SYiaQ6wqh3NJGXarVixVGE/s200/bacon+blue.bmp" border="0" /></a><br /><br /></div><div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7RkbD5fUvbPH2B9IMlBWpU7MTkBF1JmOkIIa2t9i82WTcx-YgEvhJnJh5pEwQgGipzvQn2YhQorsSlxkHDSPk6cS_AAxCgdyCpeUOKUBK6cvGTWer1GGP2hbsvziPaIiMBJpz/s1600-h/new+volcanic+logo.bmp"></a><img id="BLOGGER_PHOTO_ID_5018067069066260850" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1hdrX8VlFchMS1KWxT7uvZGuyigxlF-ekZnexZl5tp5SVSOPIA_9_0ba6btDoPXJpmw6Yaxz1blC3i8f1UhH9i9JYMHWm3sZtLbf7lJluj5qxJZaX4ViWixTTkFsgNaOSeVVw/s320/heads.bmp" border="0" /><br /><div><div><strong>Friday 12th January 2007 1-3pm</strong><br /><strong><span style="font-size:130%;"></span></strong></div><br /><div><strong><span style="font-size:130%;"></span></strong></div><br /><div><strong><span style="font-size:130%;">Colloquium #1</span></strong><br /><span style="font-size:100%;"></span></div><br /><div><span style="font-size:100%;">Darren Ambrose (Warwick) 'On The Diagram in Deleuze's Work'</span><br /><strong></strong></div><br /><div><strong>Location: SL007,</strong> Stephen Lawrence Building, Greenwich Maritime Campus<br /><strong></strong></div><br /><div><strong>Organised by Greenwich University Philosophy Department </strong></div></div><div><strong></strong></div><div><strong></strong></div><div></div><div><br /></div><div>Read a report on this event and join the ongoing discussion by clicking <a href="http://dialoguesatgreenwich.blogspot.com/2007/01/12th-jan-2007-colloquium-report-and.html">here</a></div><div></div><div></div><div></div><div><br /></div><div></div><div></div><ul><li><div align="center"><a href="http://deleuzeatgreenwich.blogspot.com/2007/01/workshops-on-essays-of-gilles-deleuze.html"><span style="color:#666666;">details of Winter/Spring 2007 Workshops on the Essays of Gilles Deleuze</span></a></div></li><li><div align="center"><a href="http://deleuzeatgreenwich.blogspot.com/"><span style="color:#666666;">RETURN TO MAIN PAGE</span></a></div></li></ul></div>edward willatthttp://www.blogger.com/profile/11145874059676637186noreply@blogger.comtag:blogger.com,1999:blog-29212194.post-1149448247184051882007-01-07T12:07:00.000-08:002007-10-27T03:47:26.425-07:00HOW TO GET TO EVENTS AT GREENWICH<div align="center"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAL2yarzVKKFz1UFIYOpxEbVI6AjzVq1PBzK1_Y3USaJLLd-SJRuGdoYrmvjrJKcKNCCxikJSxg6jFX7IRC7ydu4WixakNWTKehbUcT46RCqB3nWC0yYeh-babo1CDuU_k4Q2S/s1600-h/greenwich+map.jpg"><img id="BLOGGER_PHOTO_ID_5124938741184887874" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAL2yarzVKKFz1UFIYOpxEbVI6AjzVq1PBzK1_Y3USaJLLd-SJRuGdoYrmvjrJKcKNCCxikJSxg6jFX7IRC7ydu4WixakNWTKehbUcT46RCqB3nWC0yYeh-babo1CDuU_k4Q2S/s400/greenwich+map.jpg" border="0" /></a> <span style="color:#666666;"><span style="font-size:180%;"><strong>Key</strong> </span></span><br /><br /><strong><span style="font-size:180%;color:#666666;">1</span></strong> - Queen Anne Court<br /><span style="color:#666666;"><span style="font-size:180%;"><strong>2</strong> </span></span>- Queen Mary Court<br /><span style="color:#666666;"><span style="font-size:180%;"><strong>3</strong> </span></span>- King William Court </div><div align="center">(the location of the philosophy department)<br /><strong><span style="font-size:180%;color:#666666;">4</span></strong> - Dreadnought Library<br /><span style="color:#666666;"><span style="font-size:180%;"><strong>5</strong> </span></span>- Stephen Lawrence Building<br /><strong><span style="font-size:180%;color:#666666;">6</span></strong> - Devonport House </div><div align="center"><strong><span style="font-size:180%;color:#666666;">7</span> </strong>- Cooper Building</div><div align="center"><span style="font-size:180%;color:#666666;"><strong>8 </strong></span>- Cutty Sark Hall<br /></div><div align="left"><br /><span style="font-size:180%;"><span style="color:#666666;"><strong>Road</strong>:</span></span> Due to the high levels of traffic in Greenwich together with strict parking regulations, please use public transport wherever possible. Please note that parking is not available on the Maritime Greenwich campus.</div><div align="left"><br />From central London, head for the A2. At New Cross take a left turn to Greenwich (A206). From North London to the Blackwall Tunnel follow signs for Greenwich. From M25, join the A2 (Junction 2) and follow signs for Woolwich Ferry and on to Greenwich. <span style="font-size:+0;"><br /></span></div><div align="left"></div><div align="center"><span style="font-size:180%;color:#ffffff;"><strong>-<span style="font-size:100%;color:#ffffff;">-</span></strong></span></div><div align="left"><span style="color:#666666;"><span style="font-size:180%;"><strong>Trains</strong>:</span></span> Greenwich and Maze Hill Stations from London Bridge, Cannon Street and Charing Cross and Dartford every 10 minutes, (every few minutes during rush hour).<br /><br /><span style="color:#666666;"><span style="font-size:180%;"><strong>DLR</strong> (Docklands Light Railway):</span></span> trains to Bank (City of London) and Lewisham.<br /><br /><span style="color:#666666;"><span style="font-size:180%;"><strong>Buses</strong>:</span></span> 53 - Westminster; 188 – North Greenwich; 180,177 – Lewisham/Woolwich and Thamesmead; 286 – Avery Hill and Eltham.</div><p><span style="font-size:0;"></span></p><p><span style="font-size:0;"></p><div align="left"><br /></span><span style="font-size:180%;"><span style="color:#666666;"><strong>Riverboat:</strong></span> </span><span style="font-size:100%;">A regular service is available from Savoy Pier, Blackfriars, Bankside, London Bridge City, St Katherine's, Canary Wharf, Greenland and Masthouse Terrace to Greenwich Pier, which is adjacent to the campus. The journey takes 35 minutes.</span></div><div align="left"><br />Transport for London offers free online travel information <a href="http://www.tfl.gov.uk/">here</a>.<br /><br /><br /></div><img id="BLOGGER_PHOTO_ID_5037700776396114066" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgu1LYW7OZNfwZj2Lpv9N6IrKm5fFoYGD2GxYz5AYgmEqmDMmI3Mu9oRLVjAnxf6zEyGZtig9PnTShFkmxzC1kwpY09SsyH9voEICkwVR01zWQ6lTKndhmf_8zO8-KdVlBPsdma/s400/gre+montage.JPG" border="0" /><br /><ul><li><div align="center"><a href="http://deleuzeatgreenwich.blogspot.com/2007/10/images-of-old-royal-naval-college.html"><span style="color:#666666;">Images of The Old Royal Naval College, Greenwich - Volume 1</span></a><span style="color:#666666;"> </span></div></li><li><div align="center"><a href="http://deleuzeatgreenwich.blogspot.com/2007/01/images-of-old-royal-naval-college.html"><span style="color:#666666;">Images of The Old Royal Naval College, Greenwich - Volume 2</span></a><span style="color:#666666;"> </span></div></li><li><div align="center"><a href="http://deleuzeatgreenwich.blogspot.com/"><span style="color:#666666;">RETURN TO MAIN PAGE</span></a></div></li></ul>edward willatthttp://www.blogger.com/profile/11145874059676637186noreply@blogger.comtag:blogger.com,1999:blog-29212194.post-1162812149585718692007-01-05T03:16:00.000-08:002008-05-06T05:13:32.548-07:00Journal - 'Collapse' Volume III: 'Unknown Deleuze'<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvsQ_zXElekSw-LAQR-GlQW3kCoVXWJQLEp1iBci3xz_xX_fRVTWuj3o1RvlmZaOS6FIXwGeL-O9fHwzqoOlSsIyWJlWAAiHgGr7Yly_xQWwaEp4jnyXbqrca4peKxkHcaY7uH/s1600-h/collapse+iii.jpg"><img id="BLOGGER_PHOTO_ID_5112938555315222770" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvsQ_zXElekSw-LAQR-GlQW3kCoVXWJQLEp1iBci3xz_xX_fRVTWuj3o1RvlmZaOS6FIXwGeL-O9fHwzqoOlSsIyWJlWAAiHgGr7Yly_xQWwaEp4jnyXbqrca4peKxkHcaY7uH/s400/collapse+iii.jpg" border="0" /></a><br /><div><strong>COLLAPSE Volume III</strong> will be published in mid-October and is now available for advance purchase online by clicking <a href="http://www.urbanomic.com/order.php">here</a>.<br /><br /><strong>Collapse Volume III: 'Unknown Deleuze'</strong> contains explorations of the work of Gilles Deleuze by pioneering thinkers in the fields of philosophy, aesthetics, music and architecture. In addition, we publish in this volume two previously untranslated texts by Deleuze himself, along with a fascinating piece of vintage science fiction from one of his more obscure influences. Finally, as an annex to <strong>Collapse Volume II</strong>, we also include a full transcription of the conference on 'Speculative Realism' held in London earlier this year.<br /><br />Whilst books continue to appear at an alarming rate which claim to put Deleuze's thought 'to work' in diverse areas outside of philosophy, we submit, in this volume, that his philosophical thought itself still remains enigmatic, both in its detail and in its major themes. The contributors to this volume aim to clarify, from a variety of perspectives, Deleuze's contribution to philosophy: in what does his philosophical originality lie; what does he appropriate from other philosophers and how does he transform it? And how can the apparently disparate threads of his work to be 'integrated' – what is the precise nature of the constellation of the aesthetic, the conceptual and the political proposed by Gilles Deleuze, and what are the overarching problems in which the numerous philosophical concepts 'signed Deleuze' converge?<br /><br />The volume includes two newly-translated articles by <strong>Gilles Deleuze</strong> along with contributions from <strong>Arnaud Villani, Thomas</strong> <strong>Duzer, Quentin Meillassoux, John Sellars, Éric Alliez & Jean-Claude Bonne, Haswell & Hecker, Robin Mackay, Mehrdad Iravanian, J.-H. Rosny the Elder, Graham Harman, Iain Hamilton Grant</strong> and <strong>Ray Brassier</strong>.<br /><br />For anyone wanting to go right to the core of Deleuzian philosophy and to experience the challenge of Deleuze's thought, the articles collected in <strong>Collapse III</strong> will provide a virtually inexhaustible treasury of insights. As the featured authors shed light on this challenge from different points of view, they produce unexpected points of convergence, providing important resources for a more complete conceptual 'portrait' of Deleuze, and suggesting further lines of thought to be investigated. For anyone looking for an alternative to the emerging orthodoxy seemingly bent on broadcasting an 'image of Deleuzian thought', <strong>Collapse III</strong> provides a wide-ranging but uniformly rigorous and innovative survey of Gilles Deleuze's thought, and an illustration of the fact that, even if it is already fashionable to evoke a 'post-Deleuzian' era, we have not yet begun to draw the properly philosophical consequences of this thought.<br /><br />– <em>Mathesis, Science and Philosophy</em>, written by a 21-year-old <strong>Gilles Deleuze</strong>, has never before appeared in print in English and is published in <strong>Collapse</strong> in a new translation. Written as an introduction to a 1946 republication of a 19th-century esoteric philosophical work by Dr Johann Malfatti de Montereggio, this text offers a fascinating glimpse, set in an unexpected context, into the themes of Deleuze's early work, as they emerge, in an already characteristically-dazzling style. Meanwhile, in the brief but illuminating 1981 interview with Arnaud Villani, <em>Answers to a Series of Questions</em> (also appearing here for the first time in English), Deleuze provides some tantalising intimations regarding the enduring concerns of his work over the years.<br /><br />– In his own contribution to the volume, philosopher-poet <strong>Arnaud Villani</strong> (whose 1999 <em>The</em> <em>Wasp and the Orchid</em> was one of the first books to be published in France treating Deleuze's work as a whole) reflects on Deleuze's affirmation that he considered himself a 'pure metaphysician': what, precisely, does metaphysics mean for Deleuze? Through a sophisticated reading utilising the resources of aesthetics, poetics and philosophy, Villani not only defines the object of this metaphysics, but also shows clearly why it cannot be severed from its links with these other realms of thought, or from the question of the political or moral 'decision'.<br /><br />– This allusion reminds us that an examination of Deleuze today would be unthinkable without reference to Alain Badiou's provocative <em>Deleuze: The Clamor of Being</em>, and in his article <em>In</em> <em>Memoriam of Deleuze</em>, <strong>Thomas Duzer</strong> undertakes, through a survey of the major axes of Deleuze's philosophy, to locate the precise nature of their now famous 'nonrelationship'; his defence emphasises that the positive features of Deleuze's thought cannot be reduced either to a 'phenomenology' or to Badiou's polemical opposite.<br /><br />– In an exclusive translated extract from their new book <em>Matisse-Thought: Portrait of the</em> <em>Artist as Hyperfauve</em>, philosopher <strong>Éric Alliez</strong> (former student of Deleuze's and author of <em>The</em> <em>Signature of the World</em>) and art-historian <strong>Jean-Claude Bonne</strong> analyse the revolution inaugurated in painting by Matisse during his ‘Fauvist’ period of 1905-6, discovering that the rigorous 'quantitative' conception of the intensive which Matisse proposes allows not only a new understanding of the significance of Fauvism for his later work, but also clarifies and reaffirms the philosophical pertinence of a Nietzschean-Deleuzian thinking of intensity and extensity, the qualitative and the quantitative.<br /><br />– On the basis of an examination of a 'fragment' from Deleuze and Guattari's <em>What is</em> <em>Philosophy</em>?, <strong>Quentin Meillassoux</strong>, in a philosophical <em>tour de force</em>, meticulously reconstructs the nature and the measure of Deleuzian 'immanence', proposing finally a 'subtractive' reading drawing on Bergson's <em>Matter and Memory</em>, allowing us to understand, step-by-step 'from the inside' the construction of that singular network of concepts found in Deleuze's work.<br /><br />– Sound artists <strong>Russell Haswell</strong> and <strong>Florian Hecker</strong> contribute some strange and beautiful images taken from the electronic 'score' of their new sound work <em>Blackest Ever Black</em>, an 'introduction to synaesthesia' created using composer Iannis Xenakis's computerised UPIC system to transform contemporary images into sound. An accompanying text by <strong>Robin Mackay</strong> analyses the affinities between Xenakis's conception of a musical 'polyagogy' and Deleuze's 'transcendental empiricism'. </div><br /><div><br />– Examining Deleuze's famous use of the supposedly Stoic theory of Chronos and Aîon in <em>Logic of</em> <em>Sense</em>, <strong>John Sellars</strong> (author of <em>The Stoics</em> and <em>The Art of Living</em>) examines just how much it owes to actual stoic theories of time, thus providing both a case-study in the Deleuzian 'ventriloquism' in the history of philosophy and an informative example of the 'stratigraphic' time in which, according to Deleuze, philosophy takes place. </div><br /><div><br />– Iranian architect <strong>Mehrdad Iravanian</strong> constructs a 'graphitext' which, taking as its starting point a page from Deleuze's <em>The Fold</em>, undertakes a non-interpretative 'ex-pli-cation' of its content. Employing a hybrid methodology at once literal, textual and architectural, he brings to light structures secreted within the folds of the text itself. </div><br /><div><br />– One of the many obscure 'personae' in the background of Deleuze's <em>Difference and Repetition</em>, the mysterious figure <strong>J.-H. Rosny the Elder</strong> not only supplied that work's repeated formula for the nature of intensity-as-difference, but, as both philosopher and pioneering science fiction author, was also a living embodiment of the notion that 'philosophy is a kind of science-fiction': in his astonishing 1895 tale <em>Another World</em>, appearing here in English for the very first time, Rosny evokes an alien world of abstract lifeforms intersecting with our own, and examines with philosophical acuity the process of bringing such unknown beings within the purview of scientific knowledge. </div><br /><div><br />– <em>As if all this were not enough</em> ... Following the 'dossier' on <strong>Speculative Realism</strong> in the previous volume of <strong>Collapse, Volume III</strong> also includes a full transcription of the colloquium of the same name held at Goldsmith's University of London in April 2007 featuring presentations by <strong>Ray Brassier, Iain Hamilton Grant, Graham Harman</strong> and <strong>Quentin Meillassoux</strong> on the problems, and the promise, of this renewal of speculative philosophical thought. Running to well over 100 pages, this is an important and exciting document of contemporary philosophy in the making, proposing new conceptual approaches, exploring the borders between science and philosophy, and mining the history of thought for fresh insights into Nature, objectivity, and the legacy of 'correlationism'.</div><br /><div><br />Advance online orders for <strong>Volume III</strong> are priced (including postage) <strong>£10</strong> (UK) / <strong>£13</strong> (Europe) / <strong>£16</strong> (Elsewhere).<br />(Unfortunately a vastly increased page count, together with regular unpredictable postal rate rises, have necessitated an increase in price for this volume.)</div><br /><div><br />***4-Volume subscriptions are also available online at a reduced price.***<br /><br />Readers will shortly be able to download a preview of the introduction to <strong>Volume III</strong> from the website <a href="http://www.urbanomic.com/dl.php" target="_blank">http://www.urbanomic.com/dl.php</a>, where introductions to Vols I and II are already available. </div><br /><div><br /><strong>Help us :</strong> if you are able to post a notice in your place of work or study, please download and print the flyer for <strong>Collapse Volume III</strong> from <a href="http://www.urbanomic.com/dl.php" target="_blank">http://www.urbanomic.com/dl.php</a>. We would also welcome and reciprocate all links into the <strong>Urbanomic</strong> website from blogs, etc. Finally, please forward this bulletin on to anyone you know who is not on our mailing list but who may be interested. </div><br /><div><br /><strong>COLLAPSE Volume III<br /></strong>October 2007.<br />Paperback 115x175mm 515pp (TBC)<br />Limited Edition of 1000 numbered copies.<br />ISBN 0-9553087-2-0 </div><br /><div><br />THOMAS DUZER<br />In Memoriam: Gilles Deleuze 1925-1995<br />GILLES DELEUZE<br />Responses to a Series of Questions<br />ARNAUD VILLANI<br />'I Feel I Am A Pure Metaphysician': The Consequences of Deleuze's Remark<br />QUENTIN MEILLASSOUX<br />Subtraction and Contraction: Deleuze, Immanence and Matter and Memory<br />HASWELL & HECKER<br />Blackest Ever Black<br />GILLES DELEUZE<br />Mathesis, Science and Philosophy<br />JOHN SELLARS<br />The Truth about Chronos and Aîon<br />ÉRIC ALLIEZ & JOHN-CLAUDE BONNE<br />Matisse-Thought and the Strict Ordering of Fauvism<br />MEHRDAD IRAVANIAN<br />Unknown Deleuze<br />J.-H. ROSNY THE ELDER<br />Another World<br />RAY BRASSIER, IAIN HAMILTON GRANT, GRAHAM HARMAN, QUENTIN MEILLASSOUX Speculative Realism<br /></div><br /><div></div><br /><div><strong>Still Available:<br />Collapse Volume II 'Speculative Realism' </strong><br />RAY BRASSIER<br />The Enigma of Realism<br />QUENTIN MEILLASSOUX<br />Potentiality and Virtuality<br />ROBERTO TROTTA<br />Dark Matter: Facing the Arche-Fossil (Interview)<br />GRAHAM HARMAN<br />On Vicarious Causation<br />PAUL CHURCHLAND<br />Demons Get Out! (Interview)<br />CLÉMENTINE DUZER & LAURA GOZLAN<br />Nevertheless Empire<br />REZA NEGARESTANI<br />Islamic Exotericism: Apocalypse in the Wake of Refractory Impossibility<br />KRISTEN ALVANSON<br />Elysian Space in the Middle East<br /></div><br /><div><strong>Collapse Volume I 'Numerical Materialism'</strong><br />ALAIN BADIOU<br />'Philosophy, Sciences, Mathematics' (Interview)<br />GREGORY CHAITIN<br />'Epistemology as Information Theory'<br />REZA NEGARESTANI<br />'The Militarization of Peace'<br />MATTHEW WATKINS<br />'Prime Evolution(Interview)'<br />'INCOGNITUM'<br />'Introduction to ABJAD'<br />NICK BOSTROM<br />'Existential Risk (Interview)<br />THOMAS DUZER<br />'On the Mathematics of Intensity'<br />KEITH TILFORD<br />'Crowds'<br />NICK LAND<br />'Qabbala 101' </div><br /><div><br />Back volumes available online at<strong> £7</strong> (UK) / <strong>£9</strong> (Europe) / <strong>£12</strong> (Elsewhere). </div><br /><div><br /><strong>COLLAPSE</strong> is available in the following fine bookstores: Vrin, Paris; ICA (Institute of Contemporary Arts) bookshop, London; Tate Modern bookshop, London; Gleebooks, Sydney.<br /><br /><a href="http://www.urbanomic.com/" target="_blank">http://www.urbanomic.com/</a> </div><div><span style="color:#ffffff;">-</span></div><div><span style="color:#ffffff;">-</span></div><div><span style="color:#ffffff;">-</span></div><div><span style="color:#ffffff;">-</span></div><div></div><ul><li><div align="center"><a href="http://deleuzeatgreenwich.blogspot.com/2007/10/links-to-journals-of-note.html"><span style="color:#666666;">links to journals</span></a></div></li><li><div align="center"><a href="http://deleuzeatgreenwich.blogspot.com/"><span style="color:#666666;">RETURN TO MAIN PAGE</span></a></div></li></ul>edward willatthttp://www.blogger.com/profile/11145874059676637186noreply@blogger.comtag:blogger.com,1999:blog-29212194.post-36421136621990646452007-01-02T06:22:00.000-08:002007-11-26T09:12:44.512-08:00<span style="font-size:180%;color:#666666;">Félix Guattari</span><br /><span style="font-size:180%;color:#ffffff;">-</span> <span style="color:#ffffff;">-</span><span style="color:#ffffff;">-</span><br /><span style="color:#ffffff;">-</span><br /><a href="http://www.topologicalmedialab.net/xinwei/classes/readings/Guattari/Pragmatic-Machinic_chat.html">Pragmatic/Machinic: A Discussion with Felix Guattari (19 March 1985)</a><br /><br />'The following discussion with Felix Guattari took place in his apartment in Paris. With the help of a number of friends, I had prepared a set of questions, and had contacted him to see if he might be available to answer some of them. He responded immediately, and left messages with the friend in Paris in whose apartment I would be staying. Prior to the trip, I also had contacted Gilles Deleuze to arrange an extended interview, and although his schedule and health prevented him from agreeing to a long session, I did visit him at his apartment the night before the session with Guattari. ...'<br /><span style="color:#ffffff;">-</span><br /><br /><br /><ul><li><div align="center"><a href="http://deleuzeatgreenwich.blogspot.com/2007/01/gilles-deleuze-links.html"><span style="color:#666666;">Return to Gilles Deleuze link lists</span></a></div></li><li><div align="center"><a href="http://www.deleuzeatgreenwich.blogspot.com/"><span style="color:#666666;">RETURN TO MAIN PAGE</span></a></div></li></ul>edward willatthttp://www.blogger.com/profile/11145874059676637186noreply@blogger.comtag:blogger.com,1999:blog-29212194.post-70346760865867100582007-01-02T06:19:00.000-08:002007-10-30T07:50:43.758-07:00<span style="font-size:180%;color:#666666;">Experimental Work Inspired by Deleuze<br /></span><span style="color:#ffffff;">-</span><br /><span style="color:#ffffff;">-</span><br /><br /><a href="http://radioradiodeleuze.blogspot.com/">Radio Deleuze</a><br /><br /><span style="color:#ffffff;">-</span><br /><span style="color:#ffffff;">-</span><br /><p><br /></p><ul><li><div align="center"><a href="http://deleuzeatgreenwich.blogspot.com/2007/01/gilles-deleuze-links.html"><span style="color:#666666;">Return Gilles Deleuze link lists</span></a></div></li><li><div align="center"><a href="http://deleuzeatgreenwich.blogspot.com/"><span style="color:#666666;">RETURN TO MAIN PAGE</span></a></div></li></ul>edward willatthttp://www.blogger.com/profile/11145874059676637186noreply@blogger.comtag:blogger.com,1999:blog-29212194.post-18595344040899927472007-01-02T06:12:00.000-08:002008-12-29T08:32:34.095-08:00<span style="font-size:180%;color:#666666;">Texts on Deleuze</span><br /><span style="font-size:180%;color:#ffffff;">-</span><br /><span style="color:#ffffff;">-</span> <span style="color:#ffffff;">-</span><span style="color:#ffffff;">-</span><br /><a href="http://www.usc.edu/dept/comp-lit/tympanum/1/derrida1.html">Derrida on Deleuze</a><br /><br />A translation by David Kammerman of 'I'll have to wander all alone', written by Jacques Derrida in response to the death of Gilles Deleuze.<br /><span style="color:#ffffff;">-</span><br /><span style="color:#ffffff;">-</span><br /><a href="http://www.fulgur.co.uk/authors/aos/articles/lee/">‘"Memories of a sorcerer": notes on Gilles Deleuze-Felix Guattari, Austin Osman Spare and Anomalous Sorceries' by Matt Lee </a><br /><br />'My aim here is to introduce the philosophers Deleuze-Guattari to readers perhaps unfamiliar with their work and indicate something curious about their work, which is that it appears to have some sort of relation in a practical sense to the concept of the sorcerer ...'<br /><span style="color:#ffffff;">-</span><br /><span style="color:#ffffff;">-</span><br /><a href="http://www.horschamp.qc.ca/9903/offscreen_essays/deleuze1.html">'Gilles Deleuze's Bergsonian Film Project' by Donato Totaro</a><br /><br />'Both Gilles Deleuze and Henri Bergson were, to extremely varying degrees, philosophers interested in cinema who used cinema to suit their particular intellectual needs. In the case of Bergson, he cultivated his ideas during a zeitgeist that included the invention of cinema (late 19th century). To a large extent, Bergson's philosophical ideas were shaped by the same cultural, economic, and technological climate that gave rise to narrative cinema. Deleuze on the other hand, erected a two-volume Bergsonian philosophy of cinema toward the end of the century that stands as one of the most stimulating studies of time and cinema. ...'<br /><span style="color:#ffffff;">-</span><br /><span style="color:#ffffff;">-</span><br /><a href="http://www.generation-online.org/p/fpfoucault5.htm">'Theatrum Philosophicum' by Michel Foucault</a><br /><br />'I must discuss two books of exceptional merit and importance: Difference and Repetition and The Logic of Sense.1 Indeed, these books are so outstanding that they are difficult to discuss; this may explain, as well, why so few have undertaken this task. I believe that these words will continue to revolve about us in enigmatic resonance with those of Klossowski, another major and excessive sign, and perhaps one day, this century will be known as Deleuzian." ...'<br /><span style="color:#ffffff;">-</span><br /><span style="color:#ffffff;">-</span><br /><a href="http://www.saatchi-gallery.co.uk/contemporary-art/essaysDetails/from+comparative+cultural+studies+to+post-literary+study.+gilles+deleuze+and+central-european+thought.+post-literature/91.html">'From comparative cultural studies to post-literary study. gilles deleuze and central-european thought. post-literature' by Constantin Severin</a><br /><br />'During recent decades philosophy has been besieged by multicultural studies, art and literature by new theoretical challenges, and science/technology by avant-garde artistic experiments. Many thinkers seem to have been convinced that art had become inseparable from technology and information. A phenomenon of hybridization appeared, attempting to produce cultural mutation, resulted in a trans-aesthetic paradigm: post-literary studies in "post-literature." ...'<br /><span style="color:#ffffff;">-</span><br /><span style="color:#ffffff;">-</span><br /><a href="http://people.brunel.ac.uk/bst/vol0302/corrinabonshek.html">'Deleuzian Sensation and Unbounded Consciousness in Anna & Corrina Bonshek’s Reverie I (2002)' by Corrina Bonshek</a><br /><br />'The work Reverie I (2002) by Anna and Corrina Bonshek has a special significance when considered against the philosophy of Gilles Deleuze in which he proposes the idea that art is experienced as 'sensation' (1981; 1997; Deleuze and Félix Guattari, 1994). This way of thinking about art departs from a traditional Kantian view in which art is a transcendental experience occasioned through the contemplation of form. ...'<br /><span style="color:#ffffff;">-</span><br /><span style="color:#ffffff;">-</span><br /><a href="http://www.generation-online.org/p/fpfoucault11.htm">'Notes on Desire and Pleasure' by Arianna Bove </a><br /><br />'Certain elements of Deleuze and Guattari stubbornly retain a certain unfamiliarity. Deleuze and Guattari rescue desire from the rethoric of lack and basically remind us that desire is productive. Now with desire they use similar twists and turns of logic as Foucault does when describing power. That is why Deleuze asks in '<a href="http://slash.autonomedia.org/article.pl?sid=02/11/18/1910227">desire and pleasure'</a>: how can power be desired? ...'<br /><span style="color:#ffffff;">-</span><br /><span style="color:#ffffff;">-</span><br /><a href="http://www.korotonomedya.net/theoria/Negri_1000plateaus.html">'On Gilles Deleuze & Félix Guattari's A Thousand Plateaus' by Antonio Negri</a><br /><span style="color:#ffffff;">-</span><br /><span style="color:#ffffff;">-</span><br /><a href="http://homepages.tesco.net/~theatre/tezzaland/thesis/index.html">Towards a Minor Theatre by Terence Smith</a><br /><br />'This thesis suggests that an assessment of the political efficacy of theatre may proceed through a specification of the conditions which make the event possible and of the forms of social relations which the event practically establishes. ...'<br /><span style="color:#ffffff;">-</span><br /><span style="color:#ffffff;">-</span><br /><a href="http://www.bu.edu/wcp/Papers/Cont/ContGunz.htm">'Immanence and Deterritorialization: The Philosophy of Gilles Deleuze and Félix Guattari' byStephan Günzel</a><br /><br />'ABSTRACT: In academic philosophy the writings of Gilles Deleuze and Félix Guattari are still treated as curiosities and their importance for philosophical discussions is not recognized. In order to remedy this, I demonstrate how the very concept of philosophy expounded by the two contributes to philosophical thinking at the end of the twentieth century while also providing a possible line of thought for the next millenium. To do this, I first emphasize the influence of Deleuze's thinking, while also indicating the impact Guattari had on him. This account will therefore show Deleuze's attempts before Guattari to concieve of a non-dialectic philosophy of becoming. I will turn to rethink this approach given the influence of Guattari and his anti-psychoanalytic analysis of territorial processes. The result is a conception of philosophical activity as an act of 'becoming minor'.(1)'<br /><span style="color:#ffffff;">-</span><br /><span style="color:#ffffff;">-</span><br /><a href="http://www.generation-online.org/p/fpdeleuze8.htm">'The Vertigo of Philosophy: Deleuze and the Problem of Immanence' by Christian Kerslake</a><br /><br />'One of the few terminological constants in Deleuze’s philosophical work is the word ‘immanence’ and it has therefore become a foothold for those wishing to understand exactly what ‘Deleuzian philosophy’ is. That this ancient and well-travelled notion is held to have been given new life and meaning by a Deleuzian approach is evidenced in much recent secondary literature on Deleuze, and, significantly, in one central theoretical section of Hardt and Negri’s Empire, which takes up the theme of ‘the plane of immanence’. Yet on closer inspection it becomes clear that what is at stake in Deleuze’s contribution to the history of this term is actually quite elusive. I will claim here that ‘immanence’, despite appearing to connote philosophical transparency, is in fact a problem for Deleuze; indeed perhaps it is the problem inspiring his work. Not for nothing does Deleuze suggest that ‘immanence is the very vertigo of philosophy.’ ...'<br /><span style="color:#ffffff;">-</span><br /><span style="color:#ffffff;">-</span><br /><a href="http://www.situation.ru/app/j_art_902.htm">'Power and Desire in the Political Ontology of Spinoza and Deleuze/Guattari' by Jan Sjunnesson</a><br /><br />'In these preliminary notes, I want to incite a discussion on the 17th century philosopher, Baruch Spinoza, along with the contemporary French authors Gilles Deleuze’s and Félix Guattari’s joint works , that brings forth a reflection on ontology as political, constituted by powers and desires rather than a reductionist apolitical naturalism. In some sense, every philosophy of being (i.e. ontology, or the wider concpet metaphysics), has to make a place for man and his well- being in the whole of reality. That place is a political question which I do not fully answer here, neither give full account to Spinoza or Deleuze/Guattari, but only hope to open up for further theoretical reflections. ...'<br /><span style="color:#ffffff;">-</span><br /><span style="color:#ffffff;">-</span><br /><a href="http://findarticles.com/p/articles/mi_m0268/is_n7_v34/ai_18403696">'Sickness unto life - life and works of philosopher Gilles Deleuze' by Didier Eribon</a><br /><br />'The suicide of philosopher Gilles Deleuze at the beginning of November, after he had spent many years suffering from a terrible respiratory illness, was a gesture that struck many in France dumb. Deleuze's thought, however resistant to summary, was above all an affirmation of the life force, of the will to life: "One's always writing," as he put it in Pourparler (1990 [Negotiations, 1995]), "to bring something to life, to free life from where it's trapped." While there is something tragically unbearable about the willful death of a philosopher who always, in the final instance, exalted and summoned the forces of life, it would be a mistake to see a contradiction between Deleuze's philosophy and his final, parting gesture. ...'<br /><br /><span style="color:#ffffff;">-</span><br /><span style="color:#ffffff;">-</span><br /><br /><br /><br /><ul><br /></ul><p><br /></p><ul><li><div align="center"><a href="http://deleuzeatgreenwich.blogspot.com/2007/01/gilles-deleuze-links.html"><span style="color:#666666;">Return Gilles Deleuze link lists</span></a></div></li><li><div align="center"><a href="http://deleuzeatgreenwich.blogspot.com/"><span style="color:#666666;">RETURN TO MAIN PAGE</span></a></div></li></ul>edward willatthttp://www.blogger.com/profile/11145874059676637186noreply@blogger.comtag:blogger.com,1999:blog-29212194.post-23479291549201077722007-01-02T06:07:00.000-08:002007-10-30T07:52:09.763-07:00<span style="font-size:180%;color:#666666;">Deleuze texts and interviews</span><br /><span style="font-size:180%;color:#ffffff;">-</span><br /><span style="color:#ffffff;">- - </span><br /><br /><a href="http://www.langlab.wayne.edu/CStivale/D-G/ABC1.html">The ABC of Gilles Deleuze</a><br /><br />An overview prepared by Professor Charles J. Stivale of interviews between Gilles Deleuze and Claire Parnet that were filmed by Pierre-André Boutang in 1988-1989.<br /><span style="color:#ffffff;">-</span><br /><span style="color:#ffffff;">-</span><br /><a href="http://members.optusnet.com.au/~robert2600/fbacon.html">'The Body, the Meat and the Spirit: Becoming Animal' by Gilles Deleuze</a><br /><br />'Instead of formal correspondences, what Bacon's painting constitutes is a zone of the indiscernible, of the undecidable, between man and animal. Man becomes animal, but he does not become so without the animal simultaneously becoming spirit, the spirit of man, the physical spirit of man presented in the mirror as Eumenides or fate. ...'<br /><span style="color:#ffffff;">-</span><br /><span style="color:#ffffff;">-</span><br /><a href="http://makeworlds.org/node/97">'On Human Rights' by Gilles Deleuze</a><br /><br />'The reverence that people display toward human rights - it almost makes one want to defend horrible, terrible positions. It is so much a part of the softheaded thinking that marks the shabby period we were talking about. It's pure abstraction. Human rights, after all, what does that mean? It's pure abstraction, it's empty. It's exactly what we were talking about before about desire, or at least what I was trying to get across about desire. Desire is not putting something up on a pedestal and saying, hey, I desire this. We don't desire liberty and so forth, for example; that doesn't mean anything. We find ourselves in situations. ...'<br /><span style="color:#ffffff;">-</span><br /><span style="color:#ffffff;">-</span><br />'<a href="http://www.generation-online.org/p/fpdeleuze7.htm">Capitalism: A Very Special Delirium' by Deleuze and Guattari</a><br /><span style="color:#ffffff;">-</span><br /><span style="color:#ffffff;">-<br /></span><a href="http://www.watsoninstitute.org/infopeace/vy2k/deleuze-societies.cfm">'Postscript to Societies of Control' by Gilles Deleuze</a><br /><br />'Foucault located the disciplinary societies in the eighteenth and nineteenth centuries; they reach their height at the outset of the twentieth. They initiate the organization of vast spaces of enclosure. The individual never ceases passing from one closed environment to another, each having its own laws: ...'<br /><span style="color:#ffffff;">-</span><br /><span style="color:#ffffff;">-</span><br /><a href="http://slash.autonomedia.org/article.pl?sid=02/11/18/1910227">'Desire and Pleasure' by Gilles Deleuze </a><br /><br />'Foucault had just published <em>La Volonté de savoir</em>, the introduction to a <em>Histoire de la Sexualité</em> which challenged the play of categories through which the struggles of sexual liberation reflected itself. The reception of the book, poorly understood, was contemporary with a sort of crisis in Foucault, already wholly bent to the task of bringing out of himself, and converting himself to, what would become the problematic of <em>L'usage de plaisirs</em> and the <em>Souci de soi</em>. ...'<br /><span style="color:#ffffff;">-</span><br /><span style="color:#ffffff;">-</span><br /><a href="http://www.mediafire.com/?4gxt6nceedi">Deleuze's Empiricism and Subjectivity</a><br /><span style="color:#ffffff;">-</span><br /><span style="color:#ffffff;">-</span><br /><a href="http://www.generation-online.org/p/fpdeleuze6.htm">'Review of Jean Hyppolite's Logique et Existence' by Gilles Deleuze </a><br /><span style="color:#ffffff;">-</span><br /><span style="color:#ffffff;">-</span><br /><a href="http://www.generation-online.org/p/fpdeleuze3.htm">'Control and Becoming' Gilles Deleuze in conversation with Antonio Negri</a><br /><span style="color:#ffffff;">-</span><br /><span style="color:#ffffff;">-</span><br /><a href="http://www.generation-online.org/p/fpdeleuze2.htm">'November 28, 1947: How do you make yourself a body without organs?' by Deleuze and Guattari (from A Thousand Plateaus)</a><br /><span style="color:#ffffff;">-</span><br /><span style="color:#ffffff;">-</span><br /><a href="http://www.generation-online.org/p/fpdeleuze4.htm">'Letter to a Harsh Critic' by Gilles Deleuze </a><br /><span style="color:#ffffff;">-</span><br /><span style="color:#ffffff;">-</span><br /><a href="http://illogicaloperation.com/textz/deleuze_gilles_guattari_felix_may_68.htm">'May 68 Did Not Take Place' by Gilles Deleuze and Felix Guattari</a><br /><br />'In historical phenomena such as the revolution of 1789, the Commune, the revolution of 1917, there is always one part of the event that is irreducible to any social determinism, or to causal chains. Historians are not very fond of this point: they restore causality after the fact. Yet the event itself is a splitting off from, a breaking with causality; it is a bifurcation, a lawless deviation, an unstable condition that opens up a new field of the possible. ...'<br /><span style="color:#ffffff;">-</span><br /><span style="color:#ffffff;">-</span><br /><span style="color:#ffffff;">-</span><br /><br /><br /><ul><br /></ul><p><br /></p><ul><li><div align="center"><a href="http://deleuzeatgreenwich.blogspot.com/2007/01/gilles-deleuze-links.html"><span style="color:#666666;">Return to Gilles Deleuze link lists</span></a></div></li><li><div align="center"><a href="http://deleuzeatgreenwich.blogspot.com/"><span style="color:#666666;">RETURN TO MAIN PAGE</span></a></div></li></ul>edward willatthttp://www.blogger.com/profile/11145874059676637186noreply@blogger.comtag:blogger.com,1999:blog-29212194.post-81590739813963161742007-01-02T06:00:00.000-08:002008-12-29T08:33:50.436-08:00<span style="font-size:180%;color:#666666;">Deleuze Studies Resources</span><br /><span style="font-size:180%;color:#ffffff;">-</span><br /><br /><a href="http://deleuze.tausendplateaus.de/?page_id=2">Deleuze International</a><br /><br />Texts on the philosophy of Gilles Deleuze.<br /><br /><p align="left"><a href="http://www.webdeleuze.com/php/sommaire.html">Web Deleuze</a><br /><br />Includes English translation of transcripts of seminars delivered by Gilles Deleuze on subjects including Kant, Leibniz, Spinoza, cinema and <em>Capitalism and Schizophrenia.</em><br /><em><span style="color:#ffffff;">-</span></em><br /><span style="color:#ffffff;"><span style="color:#ffffff;">-</span>-</span><br /><a href="http://www.langlab.wayne.edu/CStivale/D-G/">Deleuze and Guattari Web Resources</a><br /><span style="color:#ffffff;">-</span><br />A website administered by Professor Charles J. Stivale. Includes online primary texts, secondary texts, details of Deleuze scholars around the world and sights & sounds.<br /><span style="color:#ffffff;">-</span><br /><span style="color:#ffffff;">-</span><br /><a href="http://www.cyberartsweb.org/cpace/cpace/theory/deleuze.html">WWW Resources for Gilles Deleuze and Félix Guattari</a><br /><span style="color:#ffffff;">-</span><br /><span style="color:#ffffff;">-</span><br /><a href="http://www.mythosandlogos.com/Deleuze.html">Deleuze Links Page</a><br /><span style="color:#ffffff;">-</span><br /><span style="color:#ffffff;">-</span><br /><a href="http://www.questia.com/library/philosophy/gilles-deleuze.jsp">Online Deleuze texts</a><br /><span style="color:#ffffff;">-</span><br /><span style="color:#ffffff;">-</span><br /><a href="http://www.protevi.com/john/DG/index.html">Deleuze and Guattari Course Materials</a><br /><span style="color:#ffffff;">-</span><br /><span style="color:#ffffff;">-</span><br /><a href="http://www.duke.edu/~hardt/Deleuze&Guattari.html">Reading Notes on Deleuze and Guattari's Capitalism & Schizophrenia</a><br /><span style="color:#ffffff;"><span style="color:#ffffff;">-</span></span><br /><span style="color:#ffffff;">--</span><br /><a href="http://www.protevi.com/john/index.html">John Protevi's Website</a><br /><br />Includes course materials and research papers.<br /><br /><span style="color:#ffffff;">-</span><br /><a href="http://www.goldsmiths.ac.uk/csisp/source/works.html">Centre for the Study of Invention and Social Process, Goldsmith's College London - Online Texts</a><br /><span style="color:#ffffff;">-</span><br />Includes texts by and on Deleuze.<br /><span style="color:#ffffff;">-</span><br /><span style="color:#ffffff;">-</span><br /><a href="http://www.cinestatic.com/trans-mat/index.htm">Transmat: Resources in Transcendental Materialism</a><br /><br />Online books including Justin Barton's Thought, Bodies and Intensive Cartography: Departures from A Thousand Plateaus, Diane J. Beddoes' Breeding Demons: A critical enquiry into the relationship between Kant and Deleuze with specific reference to women, Bruce McClure's Between The Seen and The Said: Deleuze-Guattari's Pragmatics of the Order-Word, and much more.<br /><span style="color:#ffffff;">-</span><br /><span style="color:#ffffff;">-</span><br /><a href="http://www.warwick.ac.uk/philosophy/pli_journal/introduction.html">Pli - The Warwick Journal of Philosophy</a><br /><br />This website includes pdfs of past articles from volumes of Pli that are now out of print, including many on the work of Gilles Deleuze.<br /><span style="color:#ffffff;">-</span><br /><span style="color:#ffffff;">-</span><br /><a href="http://www.egs.edu/resources/deleuze.html">Brief Deleuze Biography</a><br /><span style="color:#ffffff;">-</span><br /><span style="color:#ffffff;">-</span><br /><a href="http://www.univ-paris8.fr/deleuze/">La voix de Gilles Deleuze</a><br /><span style="color:#ffffff;">-</span><br /><span style="color:#ffffff;">-</span><br /><a href="http://en.wikiquote.org/wiki/Gilles_Deleuze">Deleuze at Wikiquote</a> </p><p align="left"><span style="font-size:85%;color:#ffffff;">-</span></p><p align="left"><span style="font-size:85%;"></p></span><p align="left"><a href="http://speculativeheresy.wordpress.com/">Speculative Heresy</a> (not on Deleuze specifically but a unique resource for an emerging area of philosophy that engages critically with Deleuze's legacy)</p><p align="left">'This is a website devoted to the exploration and discussion of the speculative heresies surrounding non-philosophy, speculative realism and transcendental materialism. Along with original commentary on the issues of speculative realism, we also aim to provide a central place from which to keep track of the evolving English speculative realist community. This includes conferences, articles, books, programs, and CFPs, along with any other notable events'.<br /><span style="color:#ffffff;">- </span><span style="font-size:180%;color:#666666;"><span style="color:#ffffff;">-</span> </span><br /><span style="font-size:180%;color:#666666;"><span style="color:#ffffff;">-</span><br />Deleuze tagged at ...<br /></span><br /><span style="color:#ffffff;">-</span><br /><span style="color:#ffffff;"><a href="http://del.icio.us/tag/deleuze">...del.icio.us</a> </span><br /><span style="color:#ffffff;">.us<br /><a href="http://www.citeulike.org/tag/deleuze">...citeulike</a> </span><br /><span style="color:#ffffff;"><br /><a href="http://technorati.com/tag/deleuze">...technorati</a> </span><br /><span style="color:#ffffff;">-</span><br /><br /><br /></p><ul><li><div align="center"><a href="http://deleuzeatgreenwich.blogspot.com/2007/01/gilles-deleuze-links.html"><span style="color:#666666;">Return to Gilles Deleuze link lists</span></a></div></li><li><div align="center"><a href="http://deleuzeatgreenwich.blogspot.com/"><span style="color:#666666;">RETURN TO MAIN PAGE</span></a></div></li></ul>edward willatthttp://www.blogger.com/profile/11145874059676637186noreply@blogger.comtag:blogger.com,1999:blog-29212194.post-34202594108245439932007-01-02T05:56:00.000-08:002009-09-22T06:24:55.501-07:00<span style="font-size:180%;color:#666666;">Deleuze Studies Research Groups, Forums and Societies</span> <span style="color:#ffffff;">-</span><br /><span style="color:#ffffff;">-</span><br /><br /><br /><a href="http://www.eri.mmu.ac.uk/deleuze/">Manchester Metropolitan University's English Research Institute - Deleuze Studies</a><br /><br />The home of the online journal Actual-Virtual which features papers filmed by the <a href="http://www.eri.mmu.ac.uk/deleuze/TOUCH_MY_FACE.php">TMF</a> production company and presented here as streamed movies. The site also includes a network of Deleuze scholars, details of events, conference and calls for papers in the world of Deleuze studies, Deleuze resources and much more.<br /><br /><span style="color:#ffffff;">-</span><br /><a href="http://adeleuzesociety.blogspot.com/index.html">A Deleuze Society?</a><br /><br />News, information and resources from the world of Deleuze studies from the currently forming Deleuze Society at the University of Exeter.<br /><br /><span style="color:#ffffff;">-</span><br /><a href="http://www2.warwick.ac.uk/fac/soc/philosophy/research/phillit/research/wip/about/">Project on Deleuze's and Guattari's 'What is Philosophy?'</a><br /><br />Based at the University of Warwick, this research group will seek to investigate the relationship between the three disciplines at stake within Deleuze and Guattari's <em>What is Philosophy?.</em><br /><br /><span style="color:#ffffff;">-</span><br /><a href="http://lists.driftline.org/listinfo.cgi/deleuze-guattari-driftline.org">Deleuze-Guattari Discussion Forum</a><br /><br />An electronic forum for discussion and experimentation rooted both in the separate and the joint works of Gilles Deleuze and Felix Guattari.<br /><br /><span style="color:#ffffff;">-</span><br /><a href="http://community.livejournal.com/deleuzism/profile">Deleuze and Fellow Travellers Community on LiveJournal</a><br /><br />'Community for the purpose of discussing philosophy associated with Deleuze. Let's keep it broad but intelligent- comments on news are welcome when relevant, comments on developments in labor or technology or art or science or theology, etc."Deleuzism" is just a holding place, a way to draw people together who are interesting in philosophies of radical immanence. If you are interested in philosophy without purity, thinking that does not judge the world but instead creates spaces for new connections in the world, if you are interested in Spinoza, Nietzsche, Bergson, Irigaray, Feminist philosophy, Duns Scotus, Agamben, Negri, etc., you are welcome here.'<br /><br /><br /><a href="http://www.facebook.com/group.php?gid=29124335590&ref=search&sid=1322232508.3960353410..1">Deleuze Studies Journal and Conference Facebook Group</a><br /><br /><br /><a href="http://www.facebook.com/group.php?gid=133604709766&ref=nf">Gilles Deleuze was an Extra-Terrestrial Facebook Group<br /></a><br /><p><br /><br /></p><ul><li><div align="center"><a href="http://deleuzeatgreenwich.blogspot.com/2007/01/gilles-deleuze-links.html"><span style="color:#666666;">Return to Gilles Deleuze link lists</span></a></div></li><li><div align="center"><a href="http://deleuzeatgreenwich.blogspot.com/"><span style="color:#666666;">RETURN TO MAIN PAGE</span></a></div></li></ul>edward willatthttp://www.blogger.com/profile/11145874059676637186noreply@blogger.comtag:blogger.com,1999:blog-29212194.post-75927500602274166352007-01-01T13:16:00.000-08:002008-05-06T05:15:24.461-07:00<div align="left"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixDhlyJvLSG8jJ6SWSlCPSR2BhkqZJtTR0VQdKstUctOm3LNSlvC7xJqOtrCYr4ai1VN6-9-JYruolYM7Mfbw_yUXuVg7zbI2uQa_N6t-f7Q8GjgN4cXTdRyFbz4npY2u2z6o3/s1600-h/buchanan+AO.jpg"><img id="BLOGGER_PHOTO_ID_5168804334900386818" style="FLOAT: left; MARGIN: 0px 10px 10px 0px; CURSOR: hand" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixDhlyJvLSG8jJ6SWSlCPSR2BhkqZJtTR0VQdKstUctOm3LNSlvC7xJqOtrCYr4ai1VN6-9-JYruolYM7Mfbw_yUXuVg7zbI2uQa_N6t-f7Q8GjgN4cXTdRyFbz4npY2u2z6o3/s400/buchanan+AO.jpg" border="0" /></a><br /><br /><strong>Ian Buchanan, <em>Deleuze and Guattari's "Anti-oedipus": A Reader's Guide</em></strong><br /><strong><br /></strong><br /><strong>Continuum Publishing</strong><br /><br /><br /><br /><br /><br />Gilles Deleuze and Felix Guattari's "Anti-Oedipus" is the first part of a two volume project entitled "Capitalism and Schizophrenia". Challenging the twin orthodoxies of Lacanian psychoanalysis and Althusserian Marxism, "Anti-Oedipus" is an important and exciting, yet challenging piece of philosophical writing. Ian Buchanan's "Reader's Guide to Anti-Oedipus" is the ideal companion to one of the twentieth-century's most influential philosophical works. It provides informed and accessible guidance on: Philosophical and historical context; Key themes; Reading the text; Reception and influence; and, Further reading."Continuum Reader's Guides" are clear, concise and accessible introductions to key texts in literature and philosophy. Each book explores the themes, context, criticism and influence of key works, providing a practical introduction to close reading, guiding students towards a thorough understanding of the text. They provide an essential, up-to-date resource, ideal for undergraduate students.<br /><span style="color:#ffffff;">-</span><br /><span style="color:#ffffff;">-</span><br /><span style="color:#ffffff;">-</span> </div><div align="left"> </div><div align="left"><span style="color:#ffffff;">-</span></div><div align="left"><span style="color:#ffffff;">-</span></div><div align="left"><span style="color:#ffffff;">-</span></div><ul><li><div align="center"><a href="http://deleuzeatgreenwich.blogspot.com/2007/01/publications-of-interest.html"><span style="color:#666666;">Return to Publications of Interest</span></a></div></li><li><div align="center"><a href="http://deleuzeatgreenwich.blogspot.com/"><span style="color:#666666;">RETURN TO MAIN PAGE</span></a></div></li></ul>edward willatthttp://www.blogger.com/profile/11145874059676637186noreply@blogger.comtag:blogger.com,1999:blog-29212194.post-60158106326517406442007-01-01T13:08:00.000-08:002007-11-30T01:31:16.180-08:00<div align="center"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhm0-_-4yAXHHk94J7H-padMgY851yxzN70QSOsbgBtAI0U4Mb_XnhmWz38LzxeFG_dbL59FTMSWLET4o8aC5AeBRLryIiMaUC09MIZo8dPbUHkDNgmfR1BcPhmFU8lnNdwamDb/s1600-h/protevi+paper.jpg"><img id="BLOGGER_PHOTO_ID_5138372763555704434" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhm0-_-4yAXHHk94J7H-padMgY851yxzN70QSOsbgBtAI0U4Mb_XnhmWz38LzxeFG_dbL59FTMSWLET4o8aC5AeBRLryIiMaUC09MIZo8dPbUHkDNgmfR1BcPhmFU8lnNdwamDb/s400/protevi+paper.jpg" border="0" /></a></div><div align="center"><span style="color:#ffffff;">-</span></div><div align="center">If you plan to attend this event and are not a member of the University of Greenwich </div><div align="center">please register by e-mailing us at <a href="mailto:volcaniclines@hotmail.com">volcaniclines@hotmail.com</a> </div><div align="center"><span style="color:#ffffff;">-</span></div><div align="center"><span style="color:#ffffff;">-</span></div><div align="center"><span style="color:#ffffff;">-</span></div><ul><li><div align="center"><span style="color:#ffffff;">-<a href="http://deleuzeatgreenwich.blogspot.com/2006/08/how-to-get-to-events-at-greenwich.html"><span style="color:#666666;">How to get to our events</span></a></span></div></li><li><div align="center"><a href="http://www.protevi.com/john/index.html"><span style="color:#666666;">John Protevi's website</span></a></div></li><li><div align="center"><a href="http://deleuzeatgreenwich.blogspot.com/"><span style="color:#666666;">RETURN TO MAIN PAGE</span></a><span style="color:#666666;"> </span></div></li></ul>edward willatthttp://www.blogger.com/profile/11145874059676637186noreply@blogger.comtag:blogger.com,1999:blog-29212194.post-17467603952352117672007-01-01T12:18:00.000-08:002008-02-09T12:46:33.225-08:00<strong>Forum for European Philosophy Event </strong><br /><strong></strong><br /><strong>Dialogues </strong><br /><br />Thursday 14 February, 12.30-2pm Room J116 (Cañada Blanch Room) Cowdray House, European Institute, Portugal Street, LSE<br /><br /><strong><span style="font-size:130%;">The Legacy of Simone de Beauvoir</span></strong><br /><br />Stella Sanford in conversation with Kimberley Hutchings<br /><br />Stella Sanford, Principal Lecturer in Modern European Philosophy and Director of the Philosophy and Religious Studies Programmes, School of Arts and Education, Middlesex University<br /><br />Kimberley Hutchings, Professor of International Relations, LSE<br /><br />________________________________<br /><br />All events are free and open to all without registration For further information contact Juliana Cardinale: 020 7955 7539 <a class="fixed" onmouseover="status='Compose Message (J.Cardinale@lse.ac.uk>)'; return true;" onmouseout="status='';" href="mailto:at@lse.ac.uk%3E">J.Cardinale[at]lse.ac.uk</a><br />Forum for European Philosophy Room J5, European Institute London School of Economics, WC2A 2AE<br /><a href="http://www.philosophy-forum.org/">http://www.philosophy-forum.org/</a><br /><span style="color:#ffffff;">-</span><br /><span style="color:#ffffff;">-</span><br /><span style="color:#ffffff;">-</span><br /><span style="color:#ffffff;">-</span><br /><div align="center"><a href="http://deleuzeatgreenwich.blogspot.com/">RETURN TO MAIN PAGE</a></div>edward willatthttp://www.blogger.com/profile/11145874059676637186noreply@blogger.comtag:blogger.com,1999:blog-29212194.post-42321958543951160422007-01-01T12:07:00.000-08:002007-10-30T10:11:01.573-07:00Images of The Old Royal Naval College, Greenwich - Volume 1<div align="left"></div><div align="left"></div><div align="left"><span style="color:#ffffff;">-</span></div><div align="left">The <a href="http://www.oldroyalnavalcollege.org/"><span style="color:#000000;">Old Royal Naval College</span></a><span style="color:#000000;"> is a world heritage site on the banks of the River Thames in Greenwich, London. It houses the </span><a href="http://www.gre.ac.uk/"><span style="color:#000000;">University of Greenwich </span></a><span style="color:#000000;">(Queen Anne Court, King William Court, Queen Mary Court, the Dreadnought Library, the Steven Lawrence building) and </span><a href="http://www.tcm.ac.uk/RVE26dae6fc87f24277a0e4c150e6708b3c,,.aspx"><span style="color:#000000;">Trinity School of Music</span></a><span style="color:#000000;"> (King Charles Court). Directions to the Old Royal Naval College can be found </span><a href="http://deleuzeatgreenwich.blogspot.com/2006/08/how-to-get-to-events-at-greenwich.html"><span style="color:#000000;">here</span></a><span style="color:#000000;">.</span></div><div align="center"><span style="color:#ffffff;"><span style="color:#ffffff;">-</span>-</span></div><div align="left"></div><p align="center"><span style="font-size:0;"><span style="font-size:100%;color:#ffffff;">-</span></p><div align="left"><br /><br /></div></span><div align="center"></div><div align="center"></div><img id="BLOGGER_PHOTO_ID_5123729630581652274" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEje-OsSUqU2Abv6g__LH1BRQGK9OJ-gumUQ5IgYQ_U9YAJovox3WE9n1qk-XDIGtKi877jeMlbr7ll1fLShqskyybtlzz72uWjBUcQGtizPj9MIPE9uRI9NcMZUNQgS29YjhvYv/s400/Candy's+Photos+074.jpg" border="0" /> <div align="center"></div><div align="center">The entrance to Queen Anne Court <span style="font-size:0;"><br /><span style="color:#ffffff;">- </span></span></div><div align="center"><span style="color:#ffffff;">----------------<span>---</span></span></div><div align="center"><span style="color:#ffffff;"><span>--</span>--------</span><span style="color:#ffffff;"><span style="font-size:0;"><br />- -</span></span> </div><div align="center"><span style="font-size:0;"><span style="font-size:0;"><span style="font-size:0;"></span></span></span><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiO6whhSTgs4Rzk4Yyp60vNlVUvkoJUyDtQq-8gMxGF1Hywqi5WHyCgZDMgUwgYAtuomAmv9FZ6EjJoTODlCH7RCn_jgyqgpis4WLwhXhYdEvHLQiDiZKoHUG-UjnQAWDRGxnmv/s1600-h/Candy's+Photos+081.jpg"></div><img id="BLOGGER_PHOTO_ID_5123729183905053474" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiO6whhSTgs4Rzk4Yyp60vNlVUvkoJUyDtQq-8gMxGF1Hywqi5WHyCgZDMgUwgYAtuomAmv9FZ6EjJoTODlCH7RCn_jgyqgpis4WLwhXhYdEvHLQiDiZKoHUG-UjnQAWDRGxnmv/s400/Candy's+Photos+081.jpg" border="0" /> <p align="center"></a>Queen Anne Court. </p><p align="center"><span style="color:#ffffff;">-</span></p><p align="center"><span style="font-size:0;"><span style="font-size:0;"><span style="font-size:0;"></span></span></span></p><p align="center"><span style="font-size:0;"><span style="font-size:0;"><span style="font-size:0;"></span></span></span><span style="font-size:0;"><span style="font-size:0;"></span></span><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhk0VNF1akIQ48oPjmMiQPvxRtNKTCRAIz9bVey2DkvSvwR2w8FCoPOcm4fZdJqkb_sKplOoMxeO4iDpmQwx540PwG56KU_XdvtTpl_4wlUxqn-rTOwlY-7-nkemwHUK1ZEkbYI/s1600-h/Candy's+Photos+068.jpg"><img id="BLOGGER_PHOTO_ID_5123725829535595282" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhk0VNF1akIQ48oPjmMiQPvxRtNKTCRAIz9bVey2DkvSvwR2w8FCoPOcm4fZdJqkb_sKplOoMxeO4iDpmQwx540PwG56KU_XdvtTpl_4wlUxqn-rTOwlY-7-nkemwHUK1ZEkbYI/s400/Candy's+Photos+068.jpg" border="0" /> </p><p align="center"></a>Queen Anne Court foreground and Queen Mary Court in the background.<br /></p><div align="center"></div><p><br /><br /></p><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8cqKmRkPAvBGQSpYkn0fFZAE9kLp5Mx-LyllCmY1ang-VLLLIYJmDIG8B1-PELeP27__dH6RjZR1kX6We-Ltm0mX0PiR2sNJtqfq6vNqZEgC8IHU00Qz6tYPLAX-tQO_zfq4S/s1600-h/greenwich+3.JPG"><img id="BLOGGER_PHOTO_ID_5123500167658896130" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8cqKmRkPAvBGQSpYkn0fFZAE9kLp5Mx-LyllCmY1ang-VLLLIYJmDIG8B1-PELeP27__dH6RjZR1kX6We-Ltm0mX0PiR2sNJtqfq6vNqZEgC8IHU00Qz6tYPLAX-tQO_zfq4S/s400/greenwich+3.JPG" border="0" /> <p align="center"></a>Queen Mary Court through the pillars of King William Court. </p><div align="center"></div><br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhosH37PDPg0IJhZbHjQD1RRg7E7_kkOUIZyJnUQkaBKKDPvyoU42bQjZ6uo636D9kL0MhVZSUztkXleLxRYUKd_psyJDEPxPNhLolhyWZ9GKKONaI3Evg5vG93lqm3kgLz9ypk/s1600-h/greenwich+from+river.bmp"><img id="BLOGGER_PHOTO_ID_5123499252830862066" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhosH37PDPg0IJhZbHjQD1RRg7E7_kkOUIZyJnUQkaBKKDPvyoU42bQjZ6uo636D9kL0MhVZSUztkXleLxRYUKd_psyJDEPxPNhLolhyWZ9GKKONaI3Evg5vG93lqm3kgLz9ypk/s400/greenwich+from+river.bmp" border="0" /></a> <div align="center">King Charles Court from the river</div><br /><div align="center"></div><br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2TWNjRY8v47LJWdNaXluCij-7Bw0J0sfym8HUAta30Mw_pyuFq2ZgOJC1tghbOvAqGCHwKETRPx4be-emNb-feMXajiyMUz3di_lV4uEwHxXqStteK5F-Nq_CvSy_2CQ3tdei/s1600-h/greenwich+2.JPG"><img id="BLOGGER_PHOTO_ID_5123498810449230562" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2TWNjRY8v47LJWdNaXluCij-7Bw0J0sfym8HUAta30Mw_pyuFq2ZgOJC1tghbOvAqGCHwKETRPx4be-emNb-feMXajiyMUz3di_lV4uEwHxXqStteK5F-Nq_CvSy_2CQ3tdei/s400/greenwich+2.JPG" border="0" /></a> <div align="center">King William Court</div><br /><br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuwopfktITlvFmARNOYh7jDwGd59JE9jfGMB2KaXx4nXZJTuJBAv8IUwofjKPZ4dtAXCV9l-m3sYI0FQDzzIhHyyyHTzrG6cqDljtLly8OuTKkHe3QshR-M-xOIw5j1Fiktce9/s1600-h/queen+anne+from+river.jpg"><img id="BLOGGER_PHOTO_ID_5123497904211131090" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuwopfktITlvFmARNOYh7jDwGd59JE9jfGMB2KaXx4nXZJTuJBAv8IUwofjKPZ4dtAXCV9l-m3sYI0FQDzzIhHyyyHTzrG6cqDljtLly8OuTKkHe3QshR-M-xOIw5j1Fiktce9/s400/queen+anne+from+river.jpg" border="0" /></a><br /><div align="center">Queen Anne Court foreground and Queen Mary Court in the background from the gate leading onto the Thames Path. </div><div align="center"></div><div align="center"></div><div align="center"><span style="color:#666666;">_____________________________________________</span></div><div align="center"><span style="color:#ffffff;">-</span></div><div align="center"><span style="color:#666666;"></span></div><div align="center"><span style="color:#666666;"></span></div><div align="center"><span style="color:#666666;"></span></div><div align="center"><span style="color:#666666;"></span></div><div align="center"><span style="color:#666666;"></span></div><ul><li><div align="center"><a href="http://deleuzeatgreenwich.blogspot.com/2007/01/images-of-old-royal-naval-college.html"><span style="color:#666666;">Images of The Old Royal Naval College, Greenwich - Volume 2</span></a></div></li><li><div align="center"><a href="http://deleuzeatgreenwich.blogspot.com/2006/08/how-to-get-to-events-at-greenwich.html"><span style="color:#666666;">How to get to The Old Royal Naval College</span></a></div></li><li><div align="center"><a href="http://www.deleuzeatgreenwich.blogspot.com/"><span style="color:#666666;">RETURN TO MAIN PAGE</span></a></div></li></ul>edward willatthttp://www.blogger.com/profile/11145874059676637186noreply@blogger.comtag:blogger.com,1999:blog-29212194.post-83474336455774591012007-01-01T10:19:00.000-08:002008-01-29T12:48:44.001-08:00<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhT_Drz9kYi5zXcLN5qt5FCUZ-TArQhv4GpB6pAZnjUixXUI33dReO6u8TKpwPB-nMFUDzzyhI0mSctxotVuy643KCEfdL5_i_YuFsIX0MOBSEPHD_O1q_bfB_R7_ZnC-HeW0xu/s1600-h/organisation+studies.bmp"><img id="BLOGGER_PHOTO_ID_5160965398324928018" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhT_Drz9kYi5zXcLN5qt5FCUZ-TArQhv4GpB6pAZnjUixXUI33dReO6u8TKpwPB-nMFUDzzyhI0mSctxotVuy643KCEfdL5_i_YuFsIX0MOBSEPHD_O1q_bfB_R7_ZnC-HeW0xu/s400/organisation+studies.bmp" border="0" /></a><br /><div></div><br /><p>Please e-mail <a href="mailto:at@hotmail.co.uk">volcaniclines[at]hotmail.com</a> if you plan to attend this event.</p><p>Directions to the Maritime Campus, Old Royal Naval College, and to Queen Anne Court can be found <a href="http://deleuzeatgreenwich.blogspot.com/2006/08/how-to-get-to-events-at-greenwich.html">here</a>.</p><p><span style="color:#ffffff;">-</span></p><p><span style="color:#ffffff;">-</span></p><p></p><p align="center"><a href="http://deleuzeatgreenwich.blogspot.com/">RETURN TO MAIN PAGE</a></p><p></p><p></p>edward willatthttp://www.blogger.com/profile/11145874059676637186noreply@blogger.com